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Nad prvním ruským výborem prací Miroslava Červenky

100%
Ljapin S., Pilščikov I., Machoninová A.
Česká literatura (Czech Literature)
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2012
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vol. 60
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issue 3
428-444
EN
The paper is devoted to the first Russian edition of a volume of selected articles by Miroslav Červenka (Smysl i stich, 2011). The authors discuss Červenka´s works on the theory and history of verse, poetics, and the semiotics of culture, and draw attention to the particularities of the reception of the ideas in the Russian, Czech, and international contexts.
2
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Jemné barvy mapy: Poetika setkání s druhým u Elizabeth Bishopové

72%
Machová M.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2015
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vol. 51
9-19
EN
The article offers a detailed analysis of the poem “The Map” by Elizabeth Bishop. As the opening text of Bishop’s first collection and also of all the editions of her collected poems, the poem can be read as a statement of the poet’s creative principles. The close-reading of the poem stresses the importance of the various encounters examined in the poem: the map (and the poem) is seen as a border space where “the other” can be approached in a kind of creative dialogue in which a plurality of perspectives co-exists, no one is in complete control, and the perception of the other is seen as an open dynamic process which is never completed.
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Kunderovy romány psané ve Francii

72%
Haman A.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2016
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vol. 53
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issue 26
56-61
EN
The contribution characterises the poetics of the last four novels written by Milan Kundera (Slowness, Identity, Ignorance, The Festival of Insignificance). Despite certain differences the author of the essay particularly pays attention to elements in which “the French series” follows the poetics of the novels written in Czech (existential theme, sarcastic humour etc.)
4
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Poezie jako hlavolam: Saussure o anagramu

72%
Koblížek T.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2015
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vol. 52
199-205
EN
The text provides a commentary regarding Ferdinand de Saussure‘s research in anagrammatic poetry. The author first describes three phases of Saussure’s research (1906–1907, 1907–1908, 1908–1909) and explains various changes in his approach. Secondly, the author introduces the main tendencies in reception of Saussure’s “anagrammatic work” (Tel Quel, linguistics, psychoanalysis). Finally, a comparison is drawn between Saussure’s analysis of anagrams and his Course in General Linguistics.
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Evropská cesta a výpověď dopisů. Formování Sidneyho intelektuální osobnosti

58%
Kastnerová M.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2017
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vol. 56
87-104
EN
The study intends to investigate the relations between Philip Sidney and the continental intellectual circle (mainly that of Protestant scholars and aristocrats) on the basis of Sidney’s correspondence. The study is focused especially on the Czech cultural milieu. Sidney’s „grand tour“ over continent is crucial for the formation of his concept of poetry. The poesy is, against Sidney, among all forms of learning the best suited to move the soul to virtue through the beautiful and delightful images of moral example, playing its important role in society.
6
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Transformace folklorní látky v umělecké literatuře : případ démonologické pověsti a díla K. V. Raise

58%
Šidák P.
Česká literatura (Czech Literature)
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2015
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vol. 63
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issue 5
707-723
7
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Poznámky k poetice Dostojevského: Bratři Karamazovi

58%
Chlupáčová K.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2015
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vol. 51
29-35
EN
Dostoyevsky in his novel The Brothers Karamazov develops to unusual extend a play with the language material, with narrative principles, with the semantics of words. These techniques contain future predictions, returns to the past, the system of repetition and variations creating a great semantic space behind many expressions on the level of poetic positions. The wealth of the semantic perspectives, of references to the hidden unknown content, the mysterious significant ciphers are integral part of Dostoyevsky’s poetics. Author with a great favour allocates objects and pronouncements which become an image and a symbol, in the text they go across many mutually not united figures at the same time. The favourite Dostoyevsky’s method are the most various word plays and funs. The funs used to be often based on mingling of reality and metaphor. Dostoyevsky understands the extensive lexical body of his novel like a poet: language, semantics and stylistics by means of expression have for his writing a crucial importance.
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Crnogorska dječja književnost i dječji svijet Dušana Kostića

51%
Kalezić-Đuričković S.
Libri & Liberi
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2014
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vol. Volume 3
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issue No. 1
57-74
HR
U radu se iznosi pregled crnogorske dječje književnosti pa se u tome kontekstu analiziraju dječji romani Dušana Kostića. Njegovo se ime povezuje s različitim žanrovima: od poezije i proze (pripovijedaka i romana) do publicističkih, putopisnih i kritičkih ostvarenja. Kostić nije manje plodan ni kada je u pitanju dječja književnost; objavio je poemu Gradić Jelengaj (1954.) i četiri romana za mlade čitatelje: Gluva pećina (1956.), Sutjeska (1958.), Modro blago (1963.) i Gora Koštanova (1967.). Velik dio motiva i tema crpi Kostić iz sjećanja na mukotrpnu i siromašnu mladost u ekonomski i politički teškom vremenu nakon Prvoga svjetskoga rata. Lirizacija umjetničkoga izraza najizrazitije je sredstvo Kostićeve poetike koje je slijedio i u djelima za najmlađe. Ondje poetičnim i živopisnim bojama oslikava vlastito djetinjstvo i ambijent u kojemu je odrastao, tako da ne čudi da ga se među crnogorskim piscima smatra jednim od glavnih predstavnika autobiografske pripovjedne književnosti.
EN
This paper presents an overview of Montenegrin children’s literature which provides the context for an analysis of the children’s novels of Dušan Kostić. Kostić is known for various literary genres, from poetry and prose (short stories and novels) to journalistic narratives, travelogues and critical works. This author is hardly less prolific in children’s and young adult literature, as he published five works intended for young readers: the poem The Town Jelengaj (1954) and four novels: Deaf Cave (1956), Sutjeska (1958), Blue Treasure (1963) and Chestnut Mountain (1967). Many of his motifs and themes are derived from his memories of a difficult childhood spent in poverty at the time of economic crisis after the First World War. Kostić followed the tendency of lyrical and artistic expression, the most expressive means of his own poetics, in the creation of children’s books. In his works, Kostić describes with poetical liveliness his own childhood and the circumstances in which he grew up. Thus, he can rightfully be considered one of the main representatives of autobiographical narrative fiction among Montenegrin writers.
DE
Der Beitrag offeriert einen knappen Überblick über die montenegrinische Kinder- und Jugendliteratur, in deren Kontext die Jugendromane von Dušan Kostić besprochen werden. Kostićs Produktion umfasst Texte aus unterschiedlichen literarischen Gattungen, die von Poesie und Prosa (Erzählungen und Romane) bis hin zu Reiseberichten, publizistischen und literaturkritischen Texten reichen. Nicht weniger umfangreich ist auch Kostićs jugendliterarische Produktion: Er schrieb das Gedicht Gradić Jelengaj (1954) sowie vier Romane für junge Leser (Gluva pećina, 1956; Sutjeska, 1958; Modro blago, 1963 und Gora Koštanova, 1967). Motive und Themen schöpft der Autor mehrheitlich aus Erinnerungen an seine schwierige und ärmliche Jugend, die von wirtschaftlich und politisch schwierigen Zeiten nach dem Ersten Weltkrieg geprägt war. Das auffälligste Kennzeichen Kostićs Poetik bildet sein dichterisch stimmungsvoller künstlerischer Ausdruck, die auch in seinen Werken für jüngere Leser zu Tage tritt. Darin schildert er in poetischen und lebhaften Farben die eigene Kindheit und das Milieu, in dem er aufwuchs. Auf Grund dessen ist es nicht verwunderlich, dass er unter den montenegrinischen Schriftstellern als wichtiger Hauptvertreter der autobiographischen Erzählliteratur gilt.
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Konstituování Holanovy tropiky a sémantiky ve variantách Triumfu smrti

51%
Enderlová H.
Česká literatura (Czech Literature)
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2015
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vol. 63
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issue 2
212-235
CS
a2_V přepracováních sbírky se postupně vytrácí inspirace poetismem, zesiluje naopak vliv symbolismu.
10
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1929. Rok (nejen) Lazebníka: Poetika, sen, polemika

30%
Málek P.
Slovo a smysl - Word & Sense
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2019
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vol. 16
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issue 32
32-108
EN
Drawing its methodological inspiration from A History of New Modernism. Czech Literature, 1905–1923 (2010), this study aims to present the development of Czech literature over the course of a single year: 1929. The objective, however, is not to portray the literary events and literary production of this year in the manner of a chronicle, nor in their entirety, but to capture certain ‘nodal’ characteristics of the imagination and literary language. There is one event that allows the author to take this approach — i.e. to identify themes, images and figures that are typical of the artistic discourse of the period —, namely the publication of Richard Weiner’s The Barber-Surgeon. The themes, motives, and figures found in this text (dream and dream writing, language, failure, literary polemics) constitute a point of departure for grasping the dominant features of a literary period which is otherwise rather amorphous. By virtue of Weiner’s poetics, a thread of sense begins to emerge, and eventually the ‘story’ or ‘drama’ of 1929, out of the re-constructed configurations and correlations of several different literary texts. Through its ‘otherness’, Weiner’s ‘dream poetics’ separated itself from the universalizing aesthetic concept of its time, thus falling ‘out of the picture’ from the perspective of literary history. By contrast, the author considers it as the central feature of a network of relations among a number of texts published in 1929: the short story AM from Jakub Deml’s collection My Purgatory; the poem The New Icarus by Konstantin Biebl; Karel Čapek’s Tales from Two Pockets; Jaroslav Durych’s essay on Poetics; and Vladislav Vančura’s novel The Last Judgement. The themes and figures under consideration here — poetics, dreams, dream writing and literary polemics — are all related to the writer’s self-consciousness in the creative process and the attention paid by the writer to material elements of the work. This manifests itself as an interest in the question of poetics and in a vivid ‘linguistic awareness’, which is also manifested in the widespread interest in questions of language and the culture of language that Czech linguists, especially those associated with the Prague Linguistic Circle, studied in accordance with — and in dialogue with — contemporary trends in modern art.
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