Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  poetry by Czesław Miłosz
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

„Czerwcowy sen o śniegu, śladzie, twarzy”. Wiersz Czesława Miłosza –

100%
Antoniuk M.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2014
|
issue 24
229-242
EN
The article is an attempt at a close reading of the poem 17 czerwca (“17 June”) by Czesław Miłosz. The author starts with a versological analysis, supposed to indicate in what way the poet achieved the tonal effects in the text. The interpretation that has been conducted makes visible a semantic unsolvability, which-according to the author-is born in the poem and, once discerned, cannot be easily neutralized.
2
Publication available in full text mode
Content available

Romanse Aleksandry Masłowskiej. Technologie cyfrowe „w służbie” solowego wykonawstwa utworów muzycznych

47%
Stępniak Z.
Studia Wschodniosłowiańskie
|
2022
|
vol. 22
223-235
EN
The article presents innovative research – with the use of digital technologies – in the field of vocal interpretation of poetic texts – three poems by Czesław Miłosz, translated into Russian, to which Aleksandra Masłowska-Smirnova from Kaliningrad, a composer of the young generation, composed music, defining the genre of the composition as romances. The romances were composed for a specific person, Fr. Zbigniew Stępniak with a rare basso profondo voice. Due to the significant scale of performance difficulties, compositions based on the poems of Cz. Miłosz became the subject of an experiment aimed at facilitating the execution process. The aim of the article was to describe an innovative experiment carried out during a scientific internship at the Studio für Stimmforschung at the Hochschule für Musik Carl Maria von Weber in Dresden and to professionally interpret the results of the research. The author shares his own experiences, which young performers of compositions based on emotionally saturated poetic texts will be able to use. The remarks on translation devices included in the text were related to the purpose of poetic texts for writing compositions and solo performances.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.