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EN
The article is devoted to one of the most outstanding figures of Polish ‘domestic’ Galician Romanticism – Józef Dunin Borkowski – about whom Anna Opacka wrote as of a ‘wrongfully forgotten poet’. The premature death of the animator of romanticising trends in Lviv (he lived just 34 years, died 18th June 1843) has disorganised the unity of the whole environment and disrupted the preparations for "Album na korzyść pogorzelców", announced by the deceased. The comrades of the poet’s ‘literary employment’ commemorate him in an extraordinary tribute: his younger brother – Aleksander Dunin Borkowski – has completed (in 1844) the edition of the aforementioned album. It contained not only the artistic pieces given to this charitable initiative by the most important authors of the time, but also the intimate farewells to the deceased editor. And, it is exactly these texts, which hold the greatest value for history of literature, which became the subject of our exploration. August Bielowski, after the funeral, wrote an amicable recollection, which was, nota bene, an inestimable source of knowledge on the beginnings of Galician Romanticism. The second text, also an important testimony of remembrance, was an emotional poem written by Aleksander Dunin Borkowski, and which is a unique example of romantic funerary poetry.
Świat i Słowo
|
2021
|
vol. 37
|
issue 2
349-358
EN
The text discusses the last volume of Adam Zagajewski's poetry, entitled “Real Life” (Krakow 2019). The author of the review presents in detail three main themes present in this book: nostalgic farewells, records of the inevitable end (existence coming to death) and poetic epiphanies (rare moments of happiness). An important context of the analyzes presented in the text is an intertextual dimension of Adam Zagajewski's poetry, the dialogue dealing with his great predecessors: Czesław Miłosz, Paul Celan, Tomasz Mann and T.S. Eliot.
PL
W tekście dokonano prezentacji ostatniego wydanego za życia Adama Zagajewskiego tomu jego poezji Prawdziwe życie (Kraków, 2019). Autor dowodzi, iż w zawierającym pięćdziesiąt jeden wierszy tomie wyróżnić można trzy przewodnie motywy tematyczne: melancholijne wspomnienia i pożegnania, zapowiedzi nadciągającego nieuchronnie kresu życia oraz poetyckie zapisy chwil uniesienia (epifanie zachwytu). Ważnym uzupełnieniem dla przeprowadzonych analiz jest ukazanie intertekstualnego wymiaru poezji Adama Zagajewskiego, dialog prowadzony z wielkimi poprzednikami: Czesławem Miłoszem, Paulem Celanem, Tomaszem Mannem i T.S. Eliotem.
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