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Pamięć w słowach – o nieadekwatności pojęć (przypadek czesko-polsko-niemiecki)

100%
Ćwiek-Rogalska K.
Acta Baltico-Slavica
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2018
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vol. 42
EN
Memory in words: On the inadequacy of terms (A Czech-Polish-German example)This article is devoted to the inadequacy of the Polish and Czech terminology related to the displacement of German-speaking communities after 1945. Discussing the example of the terms “Sudety” and “pohraničí” (Borderlands), the author identifies the inadequacy of various equivalents of these concepts in Polish secondary literature. The adopted methodology makes it possible to demonstrate a particular historical entanglement of the term “Sudety” and its incompatibility with metadiscourse (the language of research). The terminological analysis is the starting point for describing the memory of the historical situation in the Czech pohraničí after 1945. The study analyses material collected during interviews with the residents of pohraničí, including their own reflections on terminological issues. Pamięć w słowach – o nieadekwatności pojęć (przypadek czesko-polsko-niemiecki)Artykuł poświęcony jest nieadekwatności terminologii dotyczącej wysiedleń społeczności niemieckojęzycznych po roku 1945 w językach polskim i czeskim. Autorka na przykładzie pojęć „Sudety” i „pohraničí” wskazuje na nieadekwatność różnych istniejących w polskiej literaturze przedmiotu ekwiwalentów tych pojęć. Przyjęta przez autorkę metodologia pozwala na wykazanie szczególnego uwikłania historycznego terminu „Sudety” i jego nieprzystawalność do metadyskursu, jakim jest język badawczy. Analiza terminologiczna stanowi punkt wyjścia do opisu pamięci o sytuacji historycznej na czeskim pohraničí po 1945 roku. Materiał do analiz stanowią wywiady z mieszkańcami pohraničí i znajdujące się w nich prowadzone przez samych rozmówców refleksje terminologiczne.
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Kulturní konstruování Krále Šumavy

58%
Kölbl F.
Česká literatura (Czech Literature)
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2020
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vol. 68
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issue 2
158-181
EN
This study focuses on literary and film representations of the “King of Šumava” and associated narratives (state border guards and people-smugglers), examining the links between individual works and their period context and media. Attention is also focused on the intertextual “communications” interconnecting works and the relations between the individual Šumava King characters to their real-world prototypes. Emphasis is placed on film analysis and the eponymous novel Král Šumavy (King of Šumava) together with the post-revolutionary prose works Smrt Krále Šumavy (Death of the Šumava King) and Návrat Krále Šumavy (Return of the Šumava King). The concluding section articulates both the contrasting and the shared features of individual representations, which are often closely associated with the period in which any given work was written. To summarize, none of the works under review goes against the paradigm of its era, so that we may generally categorize those written before 1989 as the Communist Šumava King anti-myth (people-smuggler characters who play exclusively negative roles), while the later ones, referring to the inhumanity of 1950s totalitarianism and the need to fight against it, may be categorized as the post-Communist Šumava King myth.
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