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EN
The municipal elections of 1919 and the parliamentary/senate elections of 1920 gave women their first opportunity to exercise their new right to vote, and as such were important milestones in the forming of women’s new status as equal citizens. The paper analyses election campaigns aimed at female voters in selected periodicals published by the Czech Catholic People’s Party in 1919 and 1920: the newspaper Lid (The People) and the newly established magazine Žena (Woman). It explores the main topics and strategies of the campaign and identifies the underlying concepts of women’s political interests and motivations. The main focus is on the magazine Žena and its attempts to reconcile traditional Catholic femininity and the ‘separate spheres’ model with women’s newfound status as political actors and to create a picture of a new, politically active Catholic woman for its readership.
PL
The article is a reconstruction of the most important strands in the historiography devoted to the political activity of the laity after 1945, especially the period between 1945 and 1948. The author first discusses pre-1989 literature and then the most recent studies devoted to political Catholicism in Poland. In the main part of the article he presents three strands in historiography: research into the Labour Party, research into groups associated with Catholic socio-political weeklies, and biographies and syntheses of the history of the Catholics and the Church.
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EN
The article is devoted to Mořic Hruban, a notable personality of Czech political Catholicism. His political role during World War I and in the period of the formation of the Czechoslovak Republic is analyzed here. This conservative and traditionally oriented Catholic gradually changed hisattitude towards some crucial questions; the supporter of the Habsburg Monarchy became an advocate of the Republic. Furthermore, he was one of its prominent statesmen and politicians till its downfall in 1938
EN
„Return to Christian thought and life”: the objectives and methods of Janez Krek's Christian-social movementThe turn of the twentieth century in Slovenian culture was marked by a movement, later dubbed “political Catholicism.” The cultural and economic narrative which arose from the movement was in the long term of much greater importance than the political objectives of the Catholic movement itself. The aim of this article is to describe the narrative from the point of view of its most prominent representative, Janez Evangelist Krek (1865–1917).Doctor Krek’s conservative social reforms were able to become one of the pillars of the Slovenian collective consciousness solely because they could be bent to conform to the recurring cultural templates used by the Slovenian society to accept and reshape changes since as early as the beginning of nineteenth century. The imagery constituted by these templates is termed domestic in the article. This is to mean that it is based upon pre-modern cultural capital and traditional survival strategies. Doctor Krek’s work is proof of the ease with which domestic imagery “swallowed” modernity and “spat it out” onto the fringe of society, into the sphere of technical developments, which was then used to protect conservative values and institutions. Paradoxically, it was only in this form that the domestic imagery allowed for the relatively easy acceptance of socialism after World War II. „Powrót do chrześcijańskiego myślenia i życia”. Cele i metody chrześcijańsko-społecznego ruchu Janeza Evangelisty Kreka Na przełomie XIX i XX wieku w kulturze słoweńskiej silnie zaznaczył się ruch później nazwany politycznym katolicyzmem. Bardziej niż postulaty polityczne tego ruchu na rozwój kolektywnej świadomości Słoweńców wpłynęła towarzysząca mu narracja łącząca wątki gospodarcze z kulturowymi. Celem artykułu jest opisanie tej narracji z punktu widzenia jej najważniejszego przedstawiciela – Janeza Evangelisty Kreka (1865–1917).Konserwatywne i prowadzone w duchu społeczno-chrześcijańskim reformy doktora Kreka mogły stać się konstytutywną częścią słoweńskiej świadomości kolektywnej tylko dlatego, że zostały one dopasowane do powtarzających się wzorców, za pomocą których społeczeństwo słoweńskie przynajmniej od początku XIX wieku przyjmowało i adaptowało nowe idee. Imaginarium ukształtowane przez takie wzorce jest w artykule nazwane „swojskim”, ponieważ opiera się na przednowoczesnym kapitale kulturowym i tradycyjnych strategiach przetrwania. Z zadziwiającą łatwością imaginarium „swojskości”, obserwowane w artykule z punktu widzenia działalności doktora Kreka, odsunęło na bok znaczące postulaty nowoczesności, skupiając się na osiągnięciach techniki, które często służyły do przechowywania konserwatywnych wartości i instytucji. W postaci „swojskiej nowoczesności” imaginarium to, paradoksalnie, umożliwiło stosunkowo bezkonfliktowe przyjęcie socjalizmu po II wojnie światowej.
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