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RU
В статье рассматривается деятельность и творчество российского феминистско-поэтического коллектива Ф-письмо (2017−2021). В ней анализируется как институциональное измерение - то есть место явления в современном русском литературном поле - так и идеологическое измерение, в котором важнейшей целью поэток-феминисток было создание эмансипированно активно лирической и политической субъектки. Теоретическая перспектива, которая лежит в основе размышлений в статье, выросла из вдохновения исследовательским манифестом Риты Фельски Литература в использовании и перспективой политики литературы Жака Рансьера.
PL
Artykuł dotyczy działalności i twórczości rosyjskiego feministyczno-poetyckiego kolektywu F-Pis’mo (2017−2021). Analizie poddany został zarówno wymiar instytucjonalny - a więc środowiskowe usytuowanie zjawiska w ramach współczesnego rosyjskiego pola literackiego, jak i ideowy - w którym najważniejszym celem poetek-feministek było wykreowanie wyemancypowanej aktywnej podmiotki liryczno-politycznej. Perspektywa teoretyczna stanowiąca bazę namysłu w artykule wyrasta z inspiracji manifestem badawczym Rity Felski Literatura w użyciu oraz perspektywą polityki literatury Jacquesa Ranciere’a.
EN
The article deals with the activities and work of the Russian feminist-poetry collective F-Letter (2017−2021). It analyses both the institutional dimension - that is, the milieu location of the phenomenon within the contemporary Russian literary field - and the ideological dimension - in which the most important goal of the feminist poets was to create an emancipated active lyrical-political subject. The theoretical perspective that constitutes the basis of reflection in the article grows out of the inspiration of Rita Felski’s research manifesto Uses of Literature and Jacques Ranciere’s perspective on the politics of literature.
EN
The book of essays Smrtni grijesi feminizma (The Deadly Sins of Feminism), written by Slavenka Drakulić, and Irena Vrkljan’s novel Svila, škare (The Silk, the Shears), both published in 1984, became the samples of feminist activism and the poetics of l’écriture féminine in Croatian literature. Considering their generic aspects and their narrative strategies focused on revealing the conflict between public/historical/political and personal/everyday/trivial, in our paper we will discuss Vrkljan’s novel as outstanding example of the emancipatory changes in the cultural field of the 1980’s. “Trivial as political” in Slavenka Drakulić’s writing, articulated through Irena Vrkljan’s autobiographical narrative, incites the emancipatory power of l’écriture féminine that simultaneously reflects the Other in itself, produces its own difference and writes without inscribing itself. This type of women’s writing, as previously defined by Hélène Cixous, is presented in Irena Vrkljan’s text as writing its own life that is “always in-between” and that undermines declared democratic values as much as the politics of literature, as understood by Jacques Rancière. Revealing discordances between poetic and social hierarchies, women’s writing makes changes in the partition of the visible and the sayable, in the intertwining of being and writing, body and words.
Praktyka Teoretyczna
|
2016
|
vol. 22
|
issue 4
203-212
EN
The article is a review of the polish translation of Deleuze and Guattari’s Kafka. Toward a Minor Literature, with special emphasis on the problems of literary experiment and the politics of literature.
PL
Artykuł jest recenzją polskiego przekładu pracy Deleuze’a i Guattariego Kafka. Ku literaturze mniejszej. Autorka szczególny nacisk kładzie na zagadnienia eksperymentu literackiego i polityki/polityczności literatury.
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