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SL
Predmet analize v pričujočem prispevku je slovenski prevod Dnevnika Witolda Gombrowicza (1904—1969). Prevod je specifične narave, saj je prevajalec v njem skrajšal izvirno besedilo — sam je torej odločal, kateri odlomki Dnevnika bodo na voljo bralcu. Avtor prispevka predpostavlja, da je na prevajalčeve odločitve vplivala njegova slovenska literarna zavest. V kontekstu slovenske literature deluje dnevnik predvsem kot pričevanje o določenem času, redkeje pa kot literarna zvrst, zato je skrajšanje izvirnega teksta postopek, ki ga prevajalci dopuščajo. Avtor prispevka nato najde primere, v katerih je skrajšanje izvirnika vendarle spremenilo njegovo sporočilo. V zaključku avtor ugotavlja, da je v primeru prevoda Gombrowiczevega Dnevnika upravičeno reči, da je njegov prevajalec hkrati soavtor besedila, saj se prevod zaradi njegovih odločitev v številnih odlomkih oddaljuje od izvirnika — obenem pa ponuja nove pomene. Na prevajalčeve rešitve je imelo brez dvoma velik vpliv dejstvo, da ima dnevnik kot literarna zvrst drugačen položaj v okviru izvirne in ciljne (v tem primeru slovenske) kulture.
EN
The subject of the analysis made in the article is the translation of Witold Gombrowicz’s Diary (1904—1969) into the Slovenian language. This translation has a specific character, because the translator has shortened the original text — he decides what fragment of the work will reach the reader. The author of the article assumes that Slovenian literary consciousness is shown in the translator’s decision. With this in mind the Diary is treated mainly as a testimony of time, and less often as a literary piece, therefore intervention such as shortening is admissible. Then the author shows examples in which shortening the text changed its meaning. In the conclusions the author acknowledges that in the case of interpreting the translation, one can view the translator as a co‑author of the work. As a result of his decision the work strays in many places from the shape of the original — however it also creates separate senses. The translator’s solutions were determined by different location of this literary kind in the sphere of the Polish culture and the culture receiving the work (Slovenian).
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