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1

Michael Jackson i inni metysi Pop a ewolucja

100%

Marcela M.

Świat i Słowo

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2010

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vol. 2010, nr 1(14)

167-176

EN

Today the end, not the beginning defines a human being. George Levine writes that in the new vision of the world which emerges from Charles Darwin’s The Origin of Species nothing can be understood without understanding its history. Darwin asks about the beginning, not the end. In this perspective Michael Jackson seems to be the most important figure, since he, with his life and countless „operations”, embodies this impossible goal, becoming, as Łukasz Musiał called it, “a monstrous work in progress” and “a ghastly biological project”. Jackson means: diet supplements, surgical interventions and cosmetic procedures (botox, depilation), and fitness which help to hide natural body and create new, „holistic” (in its artificiality) project of a human being. It’s also a transcultural, transsexual and transpolitical project. Because of that maybe one of the most important myths of the present day is the myth of Pygmalion but à rebours: it is not the reality’s triumph over the art – the enlivening of Galatea by Pygmalion – but the time of Pygmalion’s transformation into a statue. It is the triumph of art over reality. The triumph of universal hybrids created in the process of hybridization (Jean Baudrillard), and Michael Jackson was one of the precursors of that process.

2

Nowe formy kampu, nowa klasa kreatywna i wynikające stąd nieporozumienia

87%

Sobolczyk P.

Praktyka Teoretyczna

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2018

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vol. 28

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issue 2

192-219

EN

The text analyses how the relation of contemporary Polish gay culture to camp is changing, and how these changes are related to new phenomena in pop culture. Furthermore, the author discusses whether similar (camp) taste and similar (camp) lifestyle allow us to understand queer community as the “new creative class” according to Richard Florida. Among the phenomena discussed are “gay diva worship”, “guilty pleasures”, “hoot” and “hipster”. The material analysed comes from the Polish LGBTQ press.

PL

Autor tekstu stawia pytania, jak zmienia się relacja współczesnej polskiej kultury gejowskiej do kampu oraz jaka wskutek tych przemian jest relacja kampu do nowych zjawisk popkulturowych. Nadto autor rozważa, czy w odniesieniu do (kampowej) wspólnoty smaku i stylu życia można mówić o „nowej klasie kreatywnej” w rozumieniu Richarda Floridy. Dyskutowane są tu zjawiska takie jak „gejowskie diwy”, „winne przyjemności” (guilty pleasures), „beka” oraz „hipsteria”. Materiał pochodzi z polskiej prasy LGBTQ.

3

Тенденции поп-арта в творчестве Леди Гага

63%

Zaytseva M.

Path of Science

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2017

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vol. 3

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issue 2

2.1-2.15

RU

В статье выявлена связь между творческими принципами популярной певицы Леди Гаги(Lady Gaga) и культовой личности поп-арта – Энди Уорхола (Andy Warhol). На основе анализа исполнительской практики Леди Гаги выявлены особенности ее исполнительского стиля, сформировавшегося под воздействием эстетики поп-арта. Прослежена динамика становления и развития исполнительского стиля Леди Гаги.

EN

The article reveals the connection between the creative principles of the popular singer Lady Gaga and the cult personality of pop art – Andy Warhol. On the basis of analysis of Lady Gaga’s performance practice, the features of her performing style, formed under the influence of the aesthetics of pop art are revealed. The dynamics of formation and development of the performing style of Lady Gaga is followed.

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Michael Jackson i inni metysi Pop a ewolucja

Nowe formy kampu, nowa klasa kreatywna i wynikające stąd nieporozumienia

Тенденции поп-арта в творчестве Леди Гага