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Znaki i powtórzenia w muzyce Augustyna Blocha – próba reinterpretacji

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Schiller-Rydzewska J.

Ars inter Culturas

2020

issue 9

95-110

This attempt to reinterpret the works of Augustyn Bloch is based on the philosophical thou-ght of Gilles Deleuze. The transfer of the philosopher’s thought, focused mainly on the analy-sis of literary works, into the scope of questions of music takes into account the peculiarity of a musical work – its ontological essence. Following the signs and repetitions in the music of Au-gustyn Bloch, I therefore distinguish two categories of phenomena. The first are borrowed signs. These are in fact quotations of the creative work of another. They bring the essence that grows from an outside source, and refer to group memory. The second are quotations of one’s own cre-ative work, original reminiscences, which most often symbolize earlier works; they also become a personal code of the artist’s compositional strategy. The nature of these is twofold – externally emotive, when the message of meaning is recognized by a wide group of recipients, and internal-ly emotive, recognizable only by a narrow circle of experts.Repetitions of characters in each of these categories are present both in the surface layer (stru-ctural) and deep (expression) differences. Their catalog is most often dependent on the message of the work. The essence of repetition is therefore the internal tension depending on the difference.

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1 Ars inter Culturas

1 Schiller-Rydzewska J.

1 2020

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Znaki i powtórzenia w muzyce Augustyna Blocha – próba reinterpretacji