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1
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Miejsca, w których uprawia się myślenie”. Działalność czasopism kulturalnych w Polsce po 1989 roku

100%
Nolbrzak R.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2012
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vol. 17
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issue 3
31-39
EN
After 1989, when the borders were opened and the censorship, which had blocked the independent cultural activity, disappeared, free market appeared in Poland. The impor-tant proponents of the cultural life, particularly in literature, were groups of artists con-tributing to cultural periodicals. The 1990s saw a flurry of cultural magazines. Nowa-days, they play an important role in Polish cultural life. They promoted a lot of promi-nent authors and originated the most interesting literary phenomena in Poland after 1989. Many of these periodicals are still published, but many titles disappeared, often due to economic reasons. In the last twenty years, cultural periodicals were published by associations and foundations and they were funded from various sources, mainly local and ministerial grants. In 2011, the Ministry of Culture and National Heritage granted subsidies to 47 periodicals, but the regulations of their allocation and hardly take into account the artistic value of the periodicals.
2

Współczesne formy komunikacji — obraz przemian na przykładzie rynku prasowego

100%
Burzyński M.
Studenckie Prace Prawnicze, Administratywistyczne i Ekonomiczne
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2012
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issue 12
37 - 49
EN
Modern technologies contribute to the dynamic changes taking place in the press communications model. One-way communication characteristic for the traditional printed word is increasingly being replaced by two-way transmission, which gradually becomes a symbol of the modern times. The variety of possibilities of reaching out to the reader enables new models of communication, previously unknown in the newspaper market, to be created. The changes also affect the role of a journalist, as well as journalistic profession, which is refl ected in the growing popularity of citizen journalism. The purpose of this article is to present an image of changes that have occurred over the years in the press communication and to attempt an identification of a modern journalist, somehow being the result of these changes. This will allow us to illustrate the difference between a traditional, certifi ed journalist and a journalist of new technologies.
3
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Characteristics of the Polish film press market in the academic literature: from the first film journals until 1939

100%
Zawisza A., Kisilowska M.
Z Badań nad Książką i Księgozbiorami Historycznymi
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2019
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vol. Tom specjalny: Dla Niepodległej / Special Issue: For an Independent Poland
445-460
EN
The Polish film press in the first half of the 20th century (1913-1939) tried to find its place in the Polish publishing market. Inspired by film thought and still developing Polish and global cinematography, the Polish press wanted to uphold true art. However, the times of censorship, interference of state authorities, fragile publishing politics, and omnipresent commercialism have all strongly influenced the history of the Polish film press. The article mainly presents the history and characteristics of film journals, dividing them into those loyal to the art of cinematography, as well as those that have been commercially influenced by film in general. It describes their profiles, forms, language, as well as editorial policy of individual editorial offices used to get valuable readers.
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The influence of the existence of and the process of the li quidation of the Workers ’ Publishing Cooperative “Press – Book – Ruch” on contemporary press system

100%
Polaczek‑Bigaj M.
Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego
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2015
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issue 8(39)
345-360
EN
The article points out the problems of the influence of the political transformation in Poland on creating the contemporary press market. It explains the historical importance of the Workers’ Publishing Cooperative “Press – Book – Ruch” (WPC) in the period of the People’s Republic of Poland, which was the biggest press concern across Central and Eastern Europe and was an extremely important element of the political system which had been under the full influence of the Polish United Workers’ Party. It owned most of the press titles on Polish market, so when in 1990 the liquidation of the Collective was started, there were many significant problems of political, financial and social nature. Moreover, in the process of purchasing Polish newspapers and magazines was joined not only by domestic forces but also foreign capital and international investors, which made this privatisation even more difficult and controversial. Main problems were mentioned as well as examples of incompetence of Liquidation Committee or loopholes which caused serious difficulties.
5
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Czytelnik jako współtwórca lokalnej gazety na przykładzie „Nowego Życia Pabianic”

100%
Hodak M.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2012
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vol. 17
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issue 3
40-49
XX
The analysis shows different ways of engaging the reader in the creation of a newspaper. Such engagement is the most pronounced in local press, where the bond between the newspaper and the target reader is naturally much stronger than in national media. The New Life of Pabianice has been in circulation for over 21 years and different forms of readers’ expression have been fostered on its pages. Among the traditional forms of readers’ verbalisation, there are: letters to the Editor, amateur poetic forms and pamphlets. As far as the new forms are concerned, the read-ers’ call-in columns are given prominence, together with the so-called citizen journalism. The new forms of readers’ expression, connected with the development of the Inter-net, exemplify the tendency among the readers to take over the role of a journalist. An opinion forming journalist is aided by the reader – a partner in discussion and the voice of the general public. Paradoxical as it may seem, it is indeed yet another symptom of the democratisation of the media and the society.
6
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Segmentacja polskiej prasy muzycznej

100%
Mikosz J.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2012
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vol. 17
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issue 3
147-161
EN
The article consists of several parts. The first one introduces the formation of Polish music press since its inception – from the times of the country’s partitions. In addition, the author describes the history of this press group in the interwar period, during the Second World War, in the communist period and after the political transition in 1989. Further, Joanna Mikosz presents a definition of music press and depicts the contempo-rary Polish press market, taking various criteria into account, such as: subject matter, type of music, the recipient, functions, the frequency of publication and circulation.
7
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"Dzieci imperium..." - Postkolonialny wymiar ukraińskiego rynku książki i prasy dla dzieci i młodzieży

81%
Świetlicki M.
Porównania
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2014
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vol. 15
233-244
EN
Children’s literature was one of the most important tools in the process of creating homo sovieticus. After 1991, Ukrainians faced the problem of desovietizing the literary canon. The book market started to change: many translations of world bestsellers appeared, as well as a number of Ukrainian novels for young readers. In the Ukrainian academia too little attention is paid to studying the importance of literature for children and youth, which is one of the key elements in the formation of post-colonial identities. This article contains an overview of the Ukrainian children’s book and press market.
PL
Literatura dla dzieci i młodzieży stanowiła jedno z najskuteczniejszych narzędzi w procesie kształtowania człowieka sowieckiego. Po roku 1991 na Ukrainie rozpoczął się (nota bene będący wciąż w toku) proces desowietyzacji kanonu literackiego – ukazało się sporo u przekładów światowych bestsellerów, ale pojawiły się także liczne ukraińskie powieści dla młodego czytelnika publikowane przez prywatne wydawnictwa. W literaturoznawstwie ukraińskim małą wagę poświęca się znaczeniu literatury dziecięcej i młodzieżowej, będącej jednym z kluczowych elementów w formowaniu się tożsamości postkolonialnej. Artykuł zawiera przegląd rynku ukraińskiej literatury i prasy dla dzieci i młodzieży.
8
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Poziom konkurencji na rynku prasy w Polsce

72%
Dzierżyńska-Mielczarek J.
Studia Medioznawcze
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2017
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issue 4 (71)
121-134
PL
Artykuł jest analizą struktury polskiego rynku prasowego i poziomu jego konkurencji. Cyfryzacja i konwergencja mediów zacierają dotychczasowe podziały branżowe i skłaniają do nowego zdefiniowania rynków właściwych dla poszczególnych produktów medialnych. Poszerzanie granic rynku zmienia panującą na nim konkurencję, bo zwiększa ilość sprzedających i kupujących, a tym samym zmniejsza ich udziały w rynku. Nawet wąskie rozumienie rynku prasowego (wyłącznie jako rynku prasy drukowanej) nie wskazuje na wysoki poziom jego koncentracji.
EN
The goal of this article is to analyse the level of competition in the Polish press market. Digitalization and convergence have blurred the existing lines of division between the media industries and further redefined the markets relevant for the respective media products. The extension of the market’s boundaries changes the competition within. It also increases the number of sellers and buyers and therefore decreases their market shares. Even the narrow understanding of the press market (as solely a market of printed press) does not indicate a high level of its concentration.
9
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Rynek prasowy Kazachstanu

72%
Gierula M.
Rocznik Prasoznawczy
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2016
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vol. 10
83-106
PL
Artykuł przedstawia uwarunkowania prawne współczesnego rynku prasowego w Kazachstanie. Charakteryzuje podstawowe akty prawne dotyczące funkcjonowania mediów masowych. Stanowi próbę klasyfikacji i typologii współczesnego rynku prasowego. Szczegółowo analizuje podstawowe tytuły prasy codziennej oraz charakteryzuje główne grupy typologiczne rynku czasopism. Analizuje także podstawowe narzędzia wpływu władzy politycznej na funkcjonowanie mediów masowych. SŁOWA
EN
In this article, the author presents the legal conditions of contemporary press market in Kazakhstan. He characterizes the basic legal acts concerning the way of functioning the mass media in the country. Then he classifies and makes a typology of contemporary press market. The author broadly analyzes the most important newspapers in Kazakhstan. He characterizes the main typological groups of printed magazines. Finally, he analyzes the common tools of the impact of political power on functioning of mass media in Kazakhstan.
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