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Tadeusz Kantor i jego UR-MATERIE

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Łarionow D.
Powidoki
|
2020
|
issue 3
18-25
EN
The article discusses the problem of space in the art of Tadeusz Kantor, an artist of the 20th century whose fifty-year oeuvre was and still is polysemous, difficult to define. The author of the text puts forward a hypothesis that the desire to master space visible in his works became important because the artist graduated in stage design. It results from treating this field of art as a specific artistic strategy that tackles three-dimensional space subjected to the manipulation of art. For Kantor, space was UR-MATTER he struggled with all his life: he treated differently the flat painting canvas, in another way he approached the open area of the city, the beach subjected to happening activities, and even more differently he dealt with the classic theatrical division into the stage and audience, i.e. illusion and disillusion.
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