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EN
The aim of the article is to analyse Three diagrams for solo flute Op. 15 by Henryk Mikołaj Gorecki in the light of compositional techniques used in the piece as well as placing the work in the context of the early output of the composer. In order to achieve the defined aims the score has been analysed as well as the statements of the composer and of people related to him. This research enabled the author to precise in what ways Gorecki uses techniques such as serialism, punctualism and aleatorism. In the paper composer’s individual and innovative approach to the avant-garde techniques is revealed. However, the idiomatic elements of the whole Gorecki’s style are also present in the analysed work. The article consists of two parts. The first part includes the problem of history and the style of Henryk Mikołaj Gorecki’s early works. The second part is devoted to the analysis and conclusions.
PL
Artykuł przedstawia podstawy teorii przerywanej równowagi sformułowanej jako alternatywne względem gradualistycznego darwinizmu ujęcie przebiegu makroewolucji. Twórcami teorii przerywanej równowagi są amerykańscy paleontologowie Stephen Jay Gould i Niles Eldredge, według których proces makroewolucji nie zachodzi stopniowo, małymi kroczkami, lecz charakteryzuje się długimi okresami stazy, które co jakiś czas przerywane są szybkimi - w skali geologicznej - przemianami organizmów.
EN
The article presents foundations of the theory of punctuated equilibrium which was formulated as an alternative account of the course of macroevolution to gradualistic Darwinism. Founders of the theory of punctuated equilibrium are American paleontologists Stephen Jay Gould and Niles Eldredge who claim that the process of macroevolution does not occur gradually, step by step, but it is characterized by long periods of stasis punctuated, from time to time, by rapid – on geological scale – transformations of organisms.
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