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Krzysztof Kieślowski’s “Decalogue” as a Quality TV Series

100%
Talarczyk M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2018
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vol. 24
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issue 33
38-46
EN
The text is dedicated to The Decalogue (Dekalog,1988) by Krzysztof Kieslowski and analyses the television series through the prism of genre and contemporary television studies, including the concept of quality television. Kieslowski’s series fulfills all the criteria assigned to the contemporary new generation television series, and can act as a reference point for interpreting Poland’s first new generation series by HBO, In treatment (Bez tajemnic, 2011–2013). The two titles are also linked by the same Polish film tradition, i.e. the cinema of moral concern, even though In treatment is based on foreign format.
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Narracyjna złożoność współczesnego serialu telewizyjnego na przykładzie Breaking Bad Vince’a Gilligana

63%
Lewandowska Z.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2015
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vol. 16
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issue 25
43-52
EN
The Narrative Complexity of Contemporary TV Series Based on Vince Gilligan’s Breaking Bad   The formula of the contemporary TV series, as a product of quality television, diff ers signifi cantly from the traditional series in terms of its narrative structure and ways of building a plotline. Th is article presents an analysis of  the Breaking Bad series’ “narrative complexity”, which is the most distinguishing feature of the modern TV series. “Narrative complexity” can be understood not only as a series of innovative narrative devices, such as cold opens, fl ashbacks and fl ashforwards, but is also based on the multiplicity of plotlines present in each episode, constituting a whole story over the course of the seasons. Looking at the ways used to construct a plot and the narrative techniques adopted in Vince Gilligan’s Breaking Bad, that is, his use of parallels and symmetries, and the plot’s focus on the development of the series’ (anti)hero, the show can be interpreted as a “result drama"and “mirroring drama”. Th rough its use of the above-listed features of “narrative complexity”, the show meets the standards for a contemporary, quality television series.
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