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Perspektywy badania współczesnej genologii radiowej

100%
Stachyra G.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2017
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vol. 39
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issue 1
49-71
EN
Despite the already widespread constatations on the subject of the blurring of genres in the new media [or “new new media”, as Paul Levinson has it], despite attempts to find a nomenclature able to cope with the transformations in media products [megagenre, hypergenre, hybrid genre, subgenre, minigenre], despite abandoning genre identification in favour of typological criteria or using ad hoc and temporary categories, such as folksonomy, it seems reasonable to suggest that the systematic genre identification of radio is still a fresh issue. Several causes can be enumerated. Firstly, the topic of radio genres is not a popular one among media experts, secondly, those attempts at classification that have appeared have not, unfortunately, been verified by broader academic discourse, and thirdly, contemporary radio is “dematerialising”; in the common understanding, the aural impressions reaching us in the form of waves processed by the aural apparatus ceases to be associated with a radio receiver and more with an app on an iPod, a webpage, a fragment heard on YouTube or a podcast. Naturally, a broader approach to genre becomes popular, in which not only the analysis of the contents of messages is significant but also the habits and experience of the actual users of media. Radio genres seen in the context of new media lose their traditional labels in favour of new ones, most usually typical of online ones. It is important, though, that the concept of the genre as a collection of genre-making forms is capacious enough to take into account the intermedia specifics of the creation of genres. This article describes the main problems of radio genre research taking into account the convergence and evolution of broadcaster-recipient relations.
2
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New communication practices on the radio and in the audiosphere

75%
Bachura-Wojtasik J.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2017
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vol. 43
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issue 5
51-66
EN
For the past decade or so, internet radio, podcasts, mobile sound apps, and digital libraries of audio content have enjoyed increasing popularity among researchers and receivers of culture. Radio, similarly to other traditional media, often experiments with the opportunities offered by the new media technologies enabling the emergence of new communicational practices. As a starting point, I consider the contemporary audiosphere, which constitutes the auditory part of the audio-visual culture, and the influence of technological changes on radio communications, artists, and receivers. I attempt to answer the question, what happens at genre fringes? What are the characteristic features of the emerging forms? How, when one is faced with new technology, the multimedia world, and virtual reality, can one reach a reflection on the fiction and non-fiction genres on the radio? The expansive character of new technologies is often the source of inspiration for that which is traditional, thus renewing the object of its study. The inclusion of new phenomena within the widely understood auditoriness has a rescuing nature for traditional forms, and, at the same time, offers new opportunities for creators, and thus an area of research for literary scientists, media scientists and literary critics.
3
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Natalia Kowalska-Elkader jako badaczka feature radiowego oraz jego odmian gatunkowych

75%
Mikosz J.
Acta Universitatis Lodziensis. Folia Librorum
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2022
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vol. 1
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issue 34
129-135
EN
The article presents the publication of Natalia Kowalska-Elkader entitled Form and content. Polish and foreign radio feature and its genre varieties, which was released in 2019 by the Publishing House of the University of Lodz. In the book, the author made an attempt to define the genre, taking into account the different nature of the broadcast and the divergence in defining the feature genre. In addition, the article indicates the scientific achievements of Natalia Kowalska-Elkader and her achievements in the field of radio research.
PL
Artykuł prezentuje publikację Natalii Kowalskiej-Elkader pt. Forma i treść. Polski i zagraniczny feature radiowy oraz jego odmiany gatunkowe, która ukazała się w 2019 roku nakładem Wydawnictwa Uniwersytetu Łódzkiego. Autorka podjęła w książce próbę zdefiniowania gatunku uwzględniając odmienny charakter audycji radiowych oraz rozbieżność definicyjną gatunku feature. Ponadto w artykule wskazano osiągnięcia naukowe Natalii Kowalskiej-Elkader oraz jej dokonania w obszarze badań radioznawczych.
4
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“Gawęda radiowa”. The Works by Masters of Talk Radio (Using the Examples of Selected Shows from the Polish Branch of RFE)

63%
Tatarowski K. W.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2019
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vol. 54
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issue 3
237-245
PL
Artykuł zawiera definicję i charakterystykę gawędy radiowej w porównaniu z gawędą literacką oraz omówienie różnych odmian gatunkowych gawędy radiowej na przykładach twórczości mikrofonowej Zygmunta Nowakowskiego, Alfreda Zbyszewskiego i Tadeusza Nowakowskiego, a także telewizyjnych programów Jerzego Waldorffa i Bogusława Kaczyńskiego.
EN
The article includes a definition and a description of radio gawęda (or talk radio show) in comparison to the literary gawęda, and a discussion of its various genre variants, using the examples of radio shows by Zygmunt Nowakowski, Alfred Zbyszewski, and Tadeusz Nowakowski, and the television shows by Jerzy Waldorff and Bogusław Kaczyński.
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