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„Mężczyźni ułomki”. XIX-wieczne emploi jako przykład nieformalnej cenzury obyczajowej

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Wanicka A.
Didaskalia. Gazeta Teatralna
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2022
|
issue 169-170
181-205
EN
The article concerns the specificity of actor specialisation in Polish theatre of the 19th century. It is an attempt to look at the phenomenon through the prism of questions taken from research on moral censorship. It sheds some light on the principles of the so-called realistic idealism which was the basis of stage art and visual culture of the era shaped by academic art. The theme of the article is the actor specialisation of a romeo and the changes occurring in this specialisation in the late 19th and early 20th centuries.
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‘They were devouring her with their eyes’. Some remarks on the Warsaw experience in the life and work of Helena Modrzejewska

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Wanicka A., Schreiber P.
Didaskalia. Gazeta Teatralna
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2022
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issue English Issue 2022
229-256
EN
This article concerns the Warsaw period in the life and work of Helena Modrzejewska. The years 1869-1876 are the least researched and described period in the entire career of this actress. The article refers to Zbigniew Raszewski’s essay ‘Modrzejewska-warszawianka’ (‘Modrzejewska the Varsavian’), debating the significance of the experience of the Krakow theatre in Modrzejewska’s work. In the light of a factual analysis, he presents the actress as a Drama Artist of Warsaw theatres, posing questions about the evaluation of the experience of working on the Warsaw stage in the context of her career. The methodological framework of the article is an attempt to see the principles of realistic idealism, i.e. the model style of the art of acting in the nineteenth century, not only in the actress’s stage performance, but also in social life and the iconographic material based on Jan Mieczkowski’s photographs.
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„Pożerali ją oczyma”. Kilka uwag o warszawskim doświadczeniu w życiu i twórczości Heleny Modrzejewskiej

100%
Wanicka A.
Didaskalia. Gazeta Teatralna
|
2021
|
issue 166
92-118
PL
This article concerns the Warsaw period in the life and work of Helena Modrzejewska. The years 1869-1876 are the least researched and described period in the entire career of this actress. The article refers to Zbigniew Raszewski’s essay Modrzejewska – a Varsovian, debating the significance of the experience of the Krakow theatre in Modrzejewska’s work. In the light of a factual analysis, he presents the actress as a Drama Artist of Warsaw theatres, posing questions about the evaluation of the experience of working on the Warsaw stage in the context of her career. The methodological framework of the article is an attempt to see the principles of realistic idealism, i.e. the model style of the art of acting in the nineteenth century, not only in the actress’s stage performance, but also in social life and the iconographic material based on Jan Mieczkowski’s photographs.
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