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WIRTUOZERIA FORTEPIANU ANNY MARII STAŃCZYK NA WYSPACH

100%
Lewandowska-Tarasiuk E.
Zeszyty Naukowe PUNO
|
2018
|
issue 6
241-246
EN
The presented article deals with the mastery phenomenon of the pianist Anna Maria Stańczyk and it made an attempt to outline the originality of her concerto knowledge. Numerous examples of unforgettable concertos performed by this artist in the rst-class music halls in Poland and all over the world were quoted. Moreover, the article mentions Ms. Stańczyk’s brilliant initiatives aimed at promoting Polish culture, concertos in Warsaw in the Royal Park of Lazienki, famous events of Floralia in which young, foreign pianists participated. Undoubtedly, this is where both her Polish identity and her presence in the world culture are expressed.
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Культурно-образовательные аспекты концертной деятельности в рамках польско-русско-белорусского сотрудничества

72%
Stępniak Z.
Studia Wschodniosłowiańskie
|
2018
|
vol. 18
335-346
EN
The author of the present paper is a performing musician (a basso profondo singer), who gives 30–40 recitals per year and co-operates with many cultural organizations and institutions (including the ones in Grodno, Kaliningrad, Irkutsk and Novosibirsk). He usually prepares his concerts himself at all stages of organization, from writing projects, developing programs, selecting accompanying musicians and formulating opening words, to being a comp`ere of the whole event. This is done with a special purpose in mind, that is to introduce the audience to the music, culture, literature and history of the home country of the composers or authors of lyrics of particular pieces. Therefore, the carefelly prepared concerts are to serve an educational role (especially as regards young audience) and to fulfill certain pedagogical tasks.
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