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1

Methodius of Olympus – one of the Greek sources of Kontakia by Romanos the Melodist

100%
Heszen A.
Classica Cracoviensia
|
2013
|
issue 16
63-79
EN
In this article the author compares Thecla’s Hymn from Methodius of Olympus’s Symposium with some kontakia by Romanos the Melodist. The analysis of a few stanzas of Thecla’s Hymn shows that this work can be a model for the kontakia. Methodius in his song gives examples of heroes of the Old and New Testament that sing a refrain. Romanos in their kontakia made a similar structure, the refrain is variously linked to stanzas and often spoken by different characters.
2
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Рефрены кондаков в церковнославянских и греческих акафистах

86%
Lyudogovskij F.
Przegląd Wschodnioeuropejski
|
2014
|
vol. V/1
283-288
EN
The article studies the specific character of refrains of the kontakions in Church Slavonic and Greek akathists. In most akathists (in various languages), refrains in kontakions (except the first one) contain the expression “Alleluia”, but there are some Church Slavonic texts with other endings. On the other hand, there are several Greek akathists in which the endings of the first kontakions do not coincide with the refrains of the ikoses (unlike the Great Akathist and most of other akathists).
3

O naturze refrenu poetyckiego

72%
Mastalski A. S.
Pamiętnik Literacki
|
2022
|
vol. 113
|
issue 1
155-166
PL
Praca przedstawia próbę refleksji nad naturą refrenu poetyckiego, który w powszechnej świadomości odbiorców literatury jest głównie powtórzeniem. Autor przekonuje, że stanowi on jednak nie tyle powtórzenie czy powrót, ile przede wszystkim formę tożsamości, która nie jest identyczna. Aby zilustrować tę tezę, przywołuje i omawia jedną ze znanych ballad skandynawskich, a następnie pokazuje, jak semantyka refrenu zmienia się wraz z rozwojem tekstu.
EN
The paper reflects upon the nature of the poetic refrain, which in common understanding is mainly a repetition. The author of the paper is convinced that the refrain is not only a repetition or a return, but first and foremost a form of identity that is not identical. To illustrate the thesis, the author recalls and discusses one of common Scandinavian ballads and demonstrates that the semantics of refrain changes as the text develops.
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