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PL
Recenzja publikacji koncentrującej się na problemach budowania/przywoływania wspomnień u osób starszych, w której bogata wiedza medyczna i psychologiczna łączy się z niezwykłym wyczuciem kulturowego tła funkcjonowania procesów pamięci (historia, literatura, relacje międzypokoleniowe, a nawet media czy reklama).
EN
Review of a book focusing on the problems of building and recollection of memories by the elderly. The book combines extensive medical and psychological knowledge with an extraordinary sense of cultural background when it comes to memory processes (history, literature, intergenerational relations, and even the media or advertising).
EN
The author of this article discusses the question to what extent Lucius Annaeus Seneca – born in Hispania, and today exceptionally venerated in this country as a precursor of the “Spanish” mentality – felt he belonged to this land, and to what extent his feelings towards it were expressed in his writings. An analysis of his creative output leads to the conclusion that he felt little affection for the land of Hispania, since in his writings there are almost no references to it, and perhaps the only trace of his connection with his native country is his youthful epigram Ad Cordubam, in which, however, he shows more warmth towards himself than towards the city. The perceived lack of any more significant declarations of “Spanish” nationality, however, does not so much testify to his pettiness as to his stoic distance from the ethnic and political barriers that divide the community of mankind that constitutes a whole for him.
PL
Autorka artykułu omawia zbiór wierszy Leanida Galubowicza „З гэтага свету” 2012. Ich głęboka treść wynika z dialogu z biblią, w którym pojawiają się różnorodne formy percepcji materiału biblijnego, takie jak wiersze skierowane do Boga, interpretacja biblijnej fabuły, motywów i obrazów.
EN
In the article Leanid Galubovich’s collection of poems “З гэтага свету” is analyzed. Their deep semantic content results from a dialog with the Bible. Various forms of perception of biblical material (poems directed to God, interpretation of biblical plots, motifs and images) are discussed.
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