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Praca różnicy płciowej Wokół związków myśli Luce Irigaray z włoskimi ruchami feministycznymi

100%
Szopa K.
Śląskie Studia Polonistyczne
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2019
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vol. 13
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issue 1
49-67
EN
This article’s aim is an attempt at discussing the notion of reproductive work/labour pondered over by female representatives of Italian autonomism and alsoeminent in Luce Irigaray’s philosophy. By pointing to the said relationship between Irigaray’s thought and Italian feminist movements, the author indicates the missing link in feminist historiography, referring feminist thought back to the origins of Marxist philosophy. Following the trail of thought of both the feminist female theoreticians and Luce Irigaray, the author proves that through regaining the significance of reproductive work/labour playing crucial role in patriarchal-capitalist economy, it is actually possible to redefine the gender distribution of labour/work based on exploitation of women in economic, social, political, and cultural dimension. Putting sexuate difference to the eponymous work would, therefore, involve intertwining those two programmes: Irigaray’s philosophy and Italian autonomism, accompanied by a political programme per se, which would transform social relations between men and women,thereby creating new worlds and new relations. 
2
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Péče jako individuální odpovědnost a prohloubení ekonomického znevýhodnění sólo matek v pandemii covid-19

99%
Dudová R.
Gender a výzkum / Gender and Research
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2021
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vol. 22
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issue 2
110-138
EN
The Covid-19 pandemic had a particularly severe impact on people in a vulnerable position, such as solo mothers living alone with their children. In this article I use an intersectional approach in order to understand how their different positions in life affected their ability to cope with the crisis situation. I present a longitudinal qualitative study of the situation of solo mothers in the Czech Republic during the Covid-19 crisis, based on repeated interviews with women from three Czech regions. The preliminary findings indicate that a crucial factor in the women’s ability to cope with increased care responsibilities was the kind of job they had before the pandemic hit. Women with higher qualifications and stable jobs faced a decline in income coupled with stress resulting from a conflation of paid work and care. In response, they reduced their professional ambitions. Women who were unemployed or lost their job during the pandemic faced long-term unemployment, and the jobs that they were offered on the labour market were forms of precarious employment. For all of them, irrespective of their work situation, the pandemic deepened their sense of vulnerability, and all of them experienced some form of economic hardship. The lack of any systemic support and the ignoring of the needs of (solo) parents (and children) were accompanied by the individual responsibilisation of the mothers. As a consequence, old inequalities deepened and new ones emerged.
3
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Wspólny pokój. O praktyce kuratorskiej

85%
Berendt Z., Majewska A.
Didaskalia. Gazeta Teatralna
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2022
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issue 168
98-133
EN
The authors of the article attempt to expand the discourse on curatorial practices in the field of performing arts by introducing the notion of shared room. By making reference to their own experience in curating, they create a metaphor which serves both as a tool for describing the precarious position of curators and for designing alternative strategies of doing this work based on the ideas of solidarity, relationality and sharing. In the first part the authors present their understanding of curatorial practice situating it in the context of those definitions of curating that they recognise as dominating in the Polish context. The second part of the article deals with four aspects of the shared room metaphor: its relational ontology; the precarious condition of its inhabitants; the strategies of sharing employed in it; and the reproductive work done in it and understood as creative practice.
4
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Wynaleźć feminizm na nowo. Recenzja wystawy Wszyscy ludzie będą siostrami

80%
Bednarek J.
Praktyka Teoretyczna
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2016
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vol. 19
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issue 1
282-289
EN
The aim of the article is to demonstrate the relevance of the ‘All Men Become Sisters’ exhibition as an artistic statement important for Marxist feminism, the analysis of global economic networks and new materialism – perspectives invoked in many of the artworks presented at the exhibition.
PL
Celem artykułu jest ukazanie znaczenia wystawy Wszyscy ludzie będą siostrami jako wypowiedzi artystycznej istotnej dla marksistowskiego feminizmu, analizy globalnych powiązań gospodarczych i nowego materializmu, do których to perspektyw nawiązuje wiele prezentowanych na wystawie dzieł sztuki.
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