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The text is a proposal to present the specifics of activities carried out by Węgajty Theatre in the formula of the Other Theatre School, in the second decade of its existence – the years 2010-2019. The author uses categories such as process, road / walking, performative theatre, rhapsodic structure, artivism, in an attempt to present the way of creating performances in Węgajty. She employs the proposed terms with reference to the findings made in various areas of knowledge by such artists as: Arnold Mindell, Rebecca Solnit, Tadeusz Pawłowski, Jean-Paul Sarrazac as well as the practice of Ricardo Dominguez, for example. What constitutes a significant element of the research material are unpublished interviews with the founders of Węgajty Theatre and its associates conducted by the author and Joanna Kocemba-Żebrowska in the years 2018-2020.
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