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Res Rhetorica
|
2023
|
vol. 10
|
issue 1
88-105
EN
The article offers an analysis of texts posted on the Twój Styl website tagged as pertaining to “medicine” from the perspective of rhetorical strategies deployed therein. The research material has been divided into categories on the basis of the character of the statement (conscious choice of convention) and subsequently analyzed with the view to capturing the linguistic and extra-linguistic tools employed to affect the recipients (from capturing the readers’ attention to propagating specific attitudes). The study conceived in such a way enables an overview of communication strategies used by the authors to attract the recipients. The main conclusion of the study is that health-related content is intentionally shaped in such a way that would persuade the addressees to embrace particular behaviours.
PL
Celem artykułu jest analiza tekstów zamieszczonych na portalu Twój Styl, oznaczonych tagiem „medycyna”, z perspektywy wykorzystanych w nich chwytów retorycznych. Zebrany materiał został podzielony ze względu na gatunek wypowiedzi (celowy wybór konwencji), następnie poddany analizie z uwagi na zastosowanie językowych i pozajęzykowych środków, które mają na celu oddziaływanie na odbiorców (od przyciągnięcia ich uwagi po nakłonienie do proponowanych postaw). Dzięki tak przeprowadzonemu badaniu możliwe było nakreślenie strategii komunikacyjnych, służących pozyskiwaniu odbiorców przez autorów tekstów. Główną konkluzją wynikającą z przeprowadzonego badania jest fakt intencyjnego, ukierunkowanego chęcią realizacji funkcji nakłaniającej ukształtowania treści dotyczących zdrowia.
EN
The article deals with the problem of meaning of a poetic text of economic, lapidary form devoid of linguistic metaphors, where the construction of expression directly reaches the sense. The style of ostensible redundancy is functional in analytical sentences and repetitions, which is connected with the title Chwila. The intention of stopping the time is expressed by the excess of text form, whose function is global meaning. In the analyzed poetry, the meaning is formed by the style; there is not a subject of description in an ontological sense. The elements of the represented world are incompatible and involve a number of choices or options. The meaning lies beyond the scope of reference of text elements. In Szymborska’s poetry, the meaning is not independent. It is not that she chooses appropriate means of expression for already prepared content; for example, when a lofty style is adapted to serious content, or trivial things are spoken playfully about. In Szymborska’s poetry, it is the other way round; a joke, a witticism is the material of her poetry, but the content is serious and concerns the fundamental problems of existence. The lack of loftiness is balanced by omnipresent irony, and the genius of this poetry is underlain by the simplicity and subtlety of medium, the brilliance of expressions and amazing grammar and style as far as linguistics is concerned.
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