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Charlie Chaplin - osobowość kina

100%
Moskwa M.
Dydaktyka Polonistyczna
|
2019
|
issue 5 (14)
101-119
EN
The article presents one of the most influential people in history of cinema Charles Chaplin. Born and raised in extreme poverty of London alleys, after years of hard work, he became the most popular and the richest person of the artistic world at the beginning of the 20th century. Chaplin was the man of genius, who created the character of a Little Fellow recognized all over the world until today. His attributes a short moustache, an old bowler hat, a bamboo stick, a tight jacket, loose pants and too big shoes together with not very smart, but cunning and kind childlike personality provided him an international success. Chaplin himself was very talented, apart from his acting abilities, he was a great director, screenwriter, producer and composer. His career originated in British music halls and after a long time of self development evolved to make Charlie the icon of the cinema. The article describes subsequent stages of that process
2

Status i prestiż zawodu scenarzysty w systemie produkcji audiowizualnej

72%
Szostak S.
Kwartalnik Filmowy
|
2022
|
issue 120 Kultura filmowa
116-142
PL
Widzowie i badacze rzadko mają dostęp do kulis produkcji medialnych oraz szczegółów ich procesów realizacyjnych. W efekcie historycznie wiedza na temat codziennych realiów pracy przedstawicieli zawodów filmowych jest niewielka. Dopiero zainteresowanie angloamerykańskiej akademii kulturą produkcji z perspektywy tworzących ją praktyków powoli odsłania dotychczas niewidoczne aspekty działania branży audiowizualnej. Autorka, w duchu zainicjowanych przez Johna Thorntona Caldwella studiów nad kulturą produkcji, bada realia pracy scenarzysty przez analizę autorefleksyjnego dyskursu przedstawicieli tego zawodu. Krytyczna analiza wypowiedzi scenarzystów pozwala bowiem na lepsze zrozumienie niuansów produkcji audiowizualnej, jej kontekstu społecznego i statusu tego fachu w polskiej branży audiowizualnej. Synteza wniosków tworzy zaś obraz zawodu scenarzysty jako rzemieślnika filmowego o względnie niskim prestiżu, zależnego od przedstawicieli innych zawodów branży i zmagającego się z instytucjonalnym niezrozumieniem jego kluczowych atrybutów.
EN
Audiences, as well as media researchers, have rarely gained access to behind-the-scenes reality of media production. As a result, historically, there has been little knowledge of the day-to-day realities of film professionals. The recent interest of the Anglo-American academy in the perspective of media practitioners is uncovering previously hidden dynamics of the audio-visual industries. Inspired by John Thornton Caldwell’s production culture methodology, the author investigates the profession of a screenwriter by critically analysing the practitioners’ self-reflexive discourse. Such narratives reveal many of the nuances involved in audio-visual production, its social context and the status of the screenwriter in the Polish audio-visual industry. The author draws a rather grim portrait of the screenwriting profession as a film craft with a relatively low status, entangled in a network of dependencies and struggling with institutional misunderstanding of its key attributes.
3
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Scenariusz filmowy i jego odmiany: Studium przedmiotu.

44%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2012
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vol. 11
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issue 20
133-150
EN
Screenplay is a phenomenon located between two different worlds, spheres and cultures: literature and cinema. In his study, Marek Hendrykowski examines the meaning and functions of all crucial terms connected with film script and screenplay, among them: concept, log line, story, synopsis, treatment, draft, first draft, storyboard, director’s draft, final script and shooting script. The author sketches step by step each of these various forms of scenario in detail, explains what they are about and why they are necessary. He also stresses the importance of rewriting and script development in the process of film creation as a means of taking the achievement to a higher level.
PL
Screenplay, Its Kinds and Its Forms Screenplay is a phenomenon located between two different worlds, spheres and cultures: literature and cinema. In his study, Marek Hendrykowski examines the meaning and functions of all crucial terms connected with film script and screenplay, among them: concept, log line, story, synopsis, treatment, draft, first draft, storyboard, director’s draft, final script and shooting script. The author sketches step by step each of these various forms of scenario in detail, explains what they are about and why they are necessary. He also stresses the importance of rewriting and script development in the process of film creation as a means of taking the achievement to a higher level.
4
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Scenariusz filmowy jako inspiracja

37%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2014
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vol. 14
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issue 23
211-218
EN
Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling.
PL
Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling. 
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