Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 5

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  semantic gesture
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

Aristotelism in Czech structuralism : Jan Mukařovský and Otakar Zich

100%
Schmid H.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2020
|
vol. 23
|
issue 1
44-53
EN
The article tries to explain the differences between Zich's and Mukařovský's positions with regard to theory of the dramatic theatre due to their different affinities to the three traditions singled out from ancient Greek metaphysics by Jan Patočka. If Zich follows more the materialistic atomist Democritus, Mukařovský adheres more to Aristotle, whose realism holds the middle between atomism and Plato's idealism. As a result of their different philosophical inclinations, the two Czech structuralists interpret the relation between material and form differently. The article follows Mukařovský's gradual development of views focusing on the central ideas in his three main essays: 'Aesthetic Function, Norm and Value as Social Facts' (1936), 'On Poetic Language' (1940), and 'Intentionality and Unintentionality in Art' (1943). The aim of my article is therefore to draw attention to Mukařovský's study and specifically to his key idea of 'semantic gesture' especially in the dramatic genre in literature as well as in the theatre. In a brief sketch of Euripides' tragedy Medea I try to show how the dramatic dialogue lays bare conflicting ideas about social values in ancient Greek democracy.
2
Content available remote

Between intentionality and affect : on Jan Mukařovský's theory of reception

86%
Meerzon Y.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2014
|
vol. 17
|
issue 2
24-40
EN
Erin Hurley and Sara Warner in their insightful study "Affect/Performance/Politics" (2012) remind us that humanities and social sciences today experience a new sweep of theoretical inquiry, focusing on studying affect as a leading mechanism of our cognition and communication, as well as making and receiving art products. This paper takes this theoretical proposition further. I argue that although the theory of affect is still struggling to find its own methodology of textual and performance analysis, when it is paired with semiotic approaches in theatre scholarship, it can offer interesting insights on how theatrical performance capitalizes on its built-in structural or artistic intentionality – Jan Mukařovský's semantic gesture - to evoke the audience's emotional responses.
3
Publication available in full text mode
Content available

Gesto a nezáměrnost „Sester Vaneových“ (1951)

72%
Müller R.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
|
2020
|
issue 61
94-105
EN
This article presents an interpretation of Vladimir Nabokov’s story “The Vane Sisters” in the light of Jan Mukařovský’s concepts of semantic gesture and unintentionality (nezáměrnost). At the same time, medial implications of Nabokov’s text are recognized, forcing a certain modification of the aforementioned concepts, taking into account the phenomenon of medial self-reflectivity.
4
Content available remote

Poetika a estetika českého strukturalismu v pojetí Herty Schmidové

58%
Jankovič M.
Česká literatura (Czech Literature)
|
2012
|
vol. 60
|
issue 5
737-754
EN
3_The final study defends references to the specific nature of the work of art, as found e.g. in Czech structuralism, against levelling tendencies in present-day culturology. Works of art and their interpretation may effectively contend with conventional stereotypes that impoverish man and his culture.
5
Content available remote

Mezi záměrností a afektem: O teorii vnímání Jana Mukařovského

58%
Meerzon Y.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2016
|
vol. 19
|
issue 1
37-53
EN
Erin Hurley and Sara Warner in their insightful study “Affect/Performance/Politics” (2012) remind us that humanities and social sciences today experience a new sweep of theoretical inquiry, focusing on studying affect as a leading mechanism of our cognition and communication, as well as making and receiving art products. This paper takes this theoretical proposition further. I argue that although the theory of affect is still struggling to find its own methodology of textual and performance analysis, when it is paired with semiotic approaches in theatre scholarship, it can offer interesting insights on how theatrical performance capitalizes on its built-in structural or artistic intentionality – Jan Mukařovský’s semantic gesture – to evoke the audience’s emotional responses.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.