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EN
Inspired by the theories of such well recognized scholars as G. Genette, J. Derrida and E. Skibińska the authors of this paper took a closer look into translators’ comments in Slovene translations of three Polish novels. The analytical part of the paper has been divided into two sections. The first one described the formal characteristics of footnotes. The second one illustrated different cultural, social, and historical contexts of using additional translators` comments.
SL
Cilj prispevka je predstaviti različne vrste prevajalskih opomb v prevodih poljskih knjig v slovenščino: Wojna polsko-ruska pod flagą biało-czerwoną D.Mmasłowske, Lubiewo M. Witkowskega in Gnój W. Kuczoka. avtorja sta predstavila kratek pregled obstoječih teorij prevajalskih opomb. Analitični del prispevka je sestavljen iz dveh delov. v prvem delu se avtorja osredotočata na formalne značilnosti opomb, kot statipologija in klasifikacija glede na uporabljene tehnike. V drugem delu prispevka pa sledi analiza besedila v opombah s posebnim poudarkom na kulturne, družbene in zgodovinske elemente.
SL
V letih 2000—2013 je izšlo približno 160 knjižnih prevodov slovenske proze, poezije ali dramatike v italijanski jezik. Na podlagi bibliografskega popisa prispevek razčlenjuje najopaznejše kolikostne, kakovostne in estetske značilnosti obravnavanega prevodnega korpusa, jih primerja s predhodno recepcijo slovenskega leposlovja v italijanskem prostoru, podatkovno ugotavlja, kako se je od leta 2000 do danes, posebej po vstopu Slovenije v Evropsko unijo ter v schengensko brezcarinsko območje, znatno okrepilo slovensko-italijansko literarno dajdamstvo in hkrati argumentirano osvetljuje nekaj tipoloških, za prevodoslovje splošno povednih stalnic dialoga med številčno večjimi in manjšimi jeziki, literaturami, kulturami.
EN
Between 2000 and 2013, 160 volumes of Slovene poems, plays and prose texts were published in Italian translation. This article investigates this corpus of translations in terms of quantitative, qualitative and aesthetic issues, while also comparing it with previous receptions of Slovenian literature in the Italian cultural milieu and observing/stressing the significant increase in the literary exchange between Slovenia and Italy since 2000 (particulary after the entry of Slovenia into the European Union and the Schengen area). Within the field of Translation Studies, this article also illustrates some fundamental typological paradigms of dialogue between numerically large and small languages, literatures and cultures.
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