Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  sluch
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
This paper explores the subjective psychophysiological research of the so-called subjective audition conducted by the Czech physician and endocrinologist Stanislav Vomela in the 1930s. It examines Vomela’s attempts to analyze his own peculiar experience of hearing what he called subjective music (music heard only by the subject) and introduces the concept of acousmatics Vomela developed to study this kind of auditory perception. Vomela’s methodology is studied against the background of J. E. Purkyně’s understanding of the subjective empiricist methodology of self-knowing in the physiology of the senses and in the context of research into eidetic imagery by E. R. Jaensch and Victor Urbantschitsch.
CS
Tento článek se zabývá subjektivním, psychofyziologickým výzkumem tak zvaného subjektivního slyšení hudby prováděného českým lékařem a endokrinologem Stanislavem Vomelou ve 30. letech 20. st. Zkoumá Vomelovy snahy analyzovat vlastní podivuhodné zkušenosti slyšení toho, co nazývá subjektivní hudbou (hudbou, kterou slyší pouze subjekt) a představuje pojem akusmatika, který Vomela zavedl pro studium sluchového vnímání tohoto druhu. Vomelova metodologie je prozkoumána na pozadí Purkyňova chápání metodologie subjektivní empirie ve fyziologii smyslů, a v kontextu výzkumu eidetických jevů E. R. Jaensche a Victora Urbantschitsche.
EN
The aim of this article is to map out the mutual relations between literary studies and sound studies, which has rapidly developed as part of humanities worldwide over the last two decades. Sound studies are of an interdisciplinary nature, drawing on the achievements of various scientific disciplines, whereas literary studies definitely do not rank among the most influential kind. It should be noted that the relationship between the two disciplines is complicated, to say the least, if not downright aporetic. The question arises whether the perspective of sound studies is actually compatible with literary studies, or if it is not just another theoretical turn, which, apart from a few novel terms, will not actually bring anything new to literary studies that we did not already know.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.