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From the French debate about Stalinist cinema Through the juxtaposition of texts by Andre Bazin and Georges Sadoul, the author reconstructs a stormy debate on the reception of Soviet cinema from the Stalinist era in 1950s France.
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Criticism of Stalinism in 1950: André Bazin’s analysis of Stalinist era cinema The main purpose of the article is to analyze attempts at a critique of Stalinism in cinematography in the work of the outstanding French film theorist and critic Andre Bazin. Through a comparison of Bazins opinions with statements by his adversary Georges Sadoul, Lars Kleberg shows the vast context of the debate on this topic, which occurred in France in the 1950s.
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