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Quasi-film commercials. Analysis of selected car manufacturer campaigns

100%
Barczyk-Sitkowska A.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2017
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vol. 43
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issue 5
171-183
EN
When seeking original forms of expression, contemporary commercials often reach for the achievements of film making. That is reflected in references to the conventions of certain film genres, and the references to particular films. The goal of the article was to present selected examples of the relationships between commercials and film, which can be found in car manufacturer advertising campaigns (Toyota, BMW, and Mercedes-Benz). The analysis of the gathered study material enabled me to identify two forms of quasi-film commercials: a TV spot and a short film.
2
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Impact of commercial advertising on a child

86%
Hoffmann B.
Problemy Opiekuńczo-Wychowawcze
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2019
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vol. 576(1)
14-27
EN
The life of contemporary children is very strongly associated with the mass media, and the media have become an extremely important part in the socialization process. The reach and influence of the media is not only growing, but also completely different than it used to be in the past. In addition to the many functions that media perform, they are also an important medium for advertising. Children and youth can be both the recipient of the advertisement as well as its active participant. Advertising affects an important cognitive sphere of a child and child’s interpersonal and social relations. A child exposed to the impact of advertising, accepts its content uncritically. This leads to the child's formation of many defective and lasting beliefs, affecting the development of child’s personality, the system of beliefs and values. The developmental and educational effects related to the impact of the advertising cause many controversies. The following article aims to present, based on the subject literature, a broad spectrum of advertising impact on a child, with particular emphasis on television advertising. My assumption is to show the problem from the perspective of social sciences, including sociology. For this reason, I am not concentrating only on the psychological dimension of the phenomenon, and I am also trying to outline important aspects of social and cultural reality in which the process of socializing the consumption of children takes place.
3
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Wpływ reklamy komercyjnej na dziecko

86%
Hoffmann B.
Problemy Opiekuńczo-Wychowawcze
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2019
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vol. 576(1)
14-27
PL
Życie współczesnych dzieci jest bardzo silnie związane ze środkami masowego przekazu, a media stały się niezwykle ważnym ogniwem procesu socjalizacji. Zasięg i wpływ mediów jest nie tylko coraz większy, ale też zupełnie inny niż miało to miejsce dawniej. Prócz wielu funkcji, jakie spełniają media, są one również ważnym nośnikiem przekazu reklamowego. Dzieci i młodzież mogą być zarówno odbiorcą reklamy, jak i jej aktywnym uczestnikiem. Reklama wpływa na ważną sferę poznawczą dziecka oraz na jego stosunki interpersonalne i społeczne. Dziecko pozostawione na oddziaływanie reklamy, bezkrytycznie przyjmuje jej treści. Doprowadza to do kształtowania się u dziecka wielu wadliwych i trwałych przekonań, wpływających na rozwój jego osobowości, sytemu przekonań i wartości. Skutki rozwojowe i wychowawcze związane z oddziaływaniem reklamy wywołują wiele kontrowersji. Tekst ma na celu przedstawienie, na podstawie literatury przedmiotu, szerokiego spektrum oddziaływania reklamy na dziecko, ze szczególnym uwzględnieniem reklamy telewizyjnej. Moim założeniem jest ukazanie problemu z perspektywy nauk społecznych, w tym socjologii. Z tego względu nie koncentruję się jedynie na psychologicznym wymiarze zjawiska, a staram się nakreślić również istotne aspekty rzeczywistości społeczno-kulturowej, w jakiej przebiega proces socjalizacji konsumpcji dzieci.
4
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Intermedialna kampania społeczna: Mafia dla psa

72%
Ślósarz A.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
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2014
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issue 6 "Edukacja kulturowa. Ujęcie monograficzne"
127-146
EN
Contemporary texts are received in intermedial contexts. Their interpretation depends on the environment, to which they belong. It also determines interpretative paradigms of texts. The film Mafia for Dogs was created as a social advertising, but represents a commercial paradigm in order to run the appropriate for him behavior and practices of receiving and of communication. A hired celebrity, Piotr Cyrwus, is known from a television series. The advertisement drew attention to a social problem, which is inappropriate and cruel treatment of dogs. A mafioso-boss is outraged and speaks directly to the viewer. The advertisement has been styled on the model of Quentin Tarantino’s Reservoir Dogs (USA 1992) and other gangster movies: The Little Caesar by Mervyn LeRoy’a (USA 1931), The Godfather by Francis Ford Coppola (USA 1972), The Roaring Twenties by Raoul Walsh (USA 1939). The soundtrack, including a song Little Green Bag performed by George Baker Selection, is known from the Reservoir Dogs. The plot takes place in an abandoned warehouse and gangsters have kidnapped policeman – just like in this movie. The cruelty of gangsters is expressed by the tools of torture, harsh light and strengthened sounds. Employment of Piotr Cyrwus is a part of the TV convention of reporting of current events. Before the upcoming winter, homeless dogs are actually in deadly threat. In this advertisement their suffering is punishable by gangsters. Straight lines connote the categories of rationality, but warm browns are associated with dog hair. The advertisement was disseminated in a viral campaign. A rich intertextual and intermedial references make the reception of the advert close to contemporary receiving regimes of film, television and commercial advertising. It is located in the contemporary intermediality of cultural transfers. No reference was made, however, to literature. The campaign resulted in benefits. It has been seen by over 3.5 million people. They collected money to buy houses for dogs from shelters, for sterilization of animals and taking care of them.
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