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Античность сквозь призму современности: „Медея” в Театре на Таганке и в московском ТЮЗе

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Шелогурова Г. Н.

Acta Universitatis Lodziensis. Folia Litteraria Rossica

2013

vol. Zeszyt specjalny 2013

105-114

Comparing the two interpretations of Medeas’s myth the author of the article is primarily interested in the problem of the perspectives of genre (tragedy as it was defined by Aristotle) in modern theatre. In this connection the most important aspect of the analysis is the esthetic, philosophical and social bases of tragedy. That is why Lubimov’s stage variant of the ancient myth seems to be the presentation of the specific moment – the maximal rapprochement between classical tragedy and Russian life of the 1990s. Medea staged 14 years later by Ginkas fixed the situation when such a contact was appreciated as impossible.

Stage metaphors in Verdi's Otello : Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition

80%

Havlíčková Kysová Š.

Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

2016

vol. 19

issue 2

29-58

The article deals with the stage metaphors of Verdi's Otello with particular interest in the 1967 Brno production, directed by Miloš Wasserbauer. The main metaphor discussed is that of containment. The author compares Wasserbauer's interpretation with former and later productions depicting the main stage metaphors. The first part of the article deals with the stage metaphors inherent in both Boito's libretto of Otello and in Shakespeare's Othello. The second part of the article focuses on essential elements of staging which are rooted in Otello (including the score). The third part analyses the staging practice of Otello with special regard to Wasserbauer's production. The methodological apparatus of the article is inspired by the Conceptual Metaphor Theory (CMT).

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1 Acta Universitatis Lodziensis. Folia Litteraria Rossica

1 Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

1 Havlíčková Kysová Š.

1 Шелогурова Г. Н.

1 2016

1 2013

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Античность сквозь призму современности: „Медея” в Театре на Таганке и в московском ТЮЗе

Stage metaphors in Verdi's Otello : Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition