The article is an attempt to look at the work by Stefan Krygier from the point of view of the rules of space construction in his works. The work by Władysław Strzemiński, which the artist referred to significantly modifying its assumptions, is a point of reference. The author of the article emphasises that the originator of Unism rejected actions consisting in re-constructing, multiple constructing and free expansion of a part of the construction in a specific space. However, all these forms of practice can be observed in Krygier's works. The article concludes with remarks on exhibitions of the artist's artwork organized after his death by his daughter, Monika Krygier. They indicate the relations between the paintings created by her father and the issues inherent in contemporary installation art.
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