Search results

1

« Elle peint comme elle chante... »

100%

Wierzbowska E. M.

Quêtes littéraires

|

2015

|

issue 5

79-87

FR

The large part of Marie Krysinska’s poetry is pictorial in the intrinsic way. The range of the references to painting, both explicit and implicit, is not less significant than the musical references. Being a musician, Krysinska is as well sensitive to the colours and lines, she makes one hear and see her poetic images. This ability lets her create “images en l’air” whose pictorial intensity is varying, from the impression to the ekphrasis. Through different painting references Krysinska reveals her rooting in the culture, enters into the continuum of aesthetic reflection, involves herself in a dialogue between arts – which incessantly lasts throughout the ages – on the synchronic and diachronic level. Consciousness which diffuses through the poetic-pictorial work of art is consequently complex and heterogenic, both individual and collective. Pictoriality becomes a code, cultural and emotional, which reinforces the work of imagination and lets one feel a twofold aesthetic satisfaction.

2

Натюрморт у живописі й літературі: особливості часопростору

99%

Kharlan O.

Studia Polsko-Ukraińskie

|

2017

|

vol. 4

XX

There are investigate the features of time-space of still life in intermedial aspect, pay attention to peculiarities of still life painting and literary text in the article. The genre of still life, transforming from traditional painting, imaginative in verbal acquires several meanings: as a proper ecphrasis (description of artistic canvas of still life); hypotypozis (verbal still life); using at the level nomenosphere (harping term „still life”).

3

Je devenais une goutte d’eau, une tache d’encre. Sulla narrativa di Maurice Blanchot

71%

Crivella G.

e-Scripta Romanica

|

2022

|

vol. 10

79-95

EN

Based on the analysis contained in the work of Philippe Hamon Rencontres sur tables et choses qui traînent. De la nature morte en littérature, this paper aims to develop some considerations on Maurice Blanchot’s fiction. In particular, our observations have as their field of study some passages from three works: Aminadab, La folie du jour and Le Très-Haut. In this way we can elaborate an interpretation of Blanchot’s récits in which the figure of the still life plays an absolutely essential and decisive role. Our analysis will focus on the way in which the notion of still life is transformed into a hermeneutic notion within which numerous specific and recurring elements of Blanchot’s narrative universes find a precise functional collocation and a clear conceptual delineation. Secondly, the correspondences between the French narrator and the theorist of descriptif will allow us to highlight in the conclusions a rich complex of themes and issues that not only deeply furrow the blanchotian narrative, but can also be found among numerous authors of French literature of the late twentieth century.

IT

Partendo da una serie di analisi contenute nell’opera di Philippe Hamon Rencontres sur tables et choses qui traînent. De la nature morte en littérature, questo saggio punta a sviluppare alcune considerazioni aventi per oggetto la produzione narrativa di Maurice Blanchot. In particolare le nostre osservazioni si concentreranno su alcuni passaggi desunti da tre romanzi del pensatore francese: Aminadab, La folie du jour e Le Très-Haut. In tal modo potremo mettere a punto una prospettiva interpretativa dei récits blanchotiani in cui la nozione di natura morta gioca un ruolo di assoluta centralità. In particolare le nostre analisi si concentreranno sul modo in cui la nozione di natura morta riesce a tramutarsi in un terminale ermeneutico trasversale in seno al quale numerosi elementi specifici e ricorrenti degli universi narrativi di Blanchot trovano una precisa collocazione funzionale e una chiara delineazione concettuale. In seconda battuta, le corrispondenze enucleabili tra il narratore francese e il teorico del descrittivo ci permetteranno di portare in evidenza in sede di conclusioni un ricco plesso di temi e questioni che non solo solcano in profondità la narrativa blanchotiana, ma di fatto possono essere reperiti con una certa facilità presso numerosi autori della letteratura francese del secondo Novecento.

Refine search results

1 Quêtes littéraires

1 Studia Polsko-Ukraińskie

1 e-Scripta Romanica

1 Crivella G.

1 Kharlan O.

1 Wierzbowska E. M.

1 2022

1 2021

1 2015

« Elle peint comme elle chante... »

Натюрморт у живописі й літературі: особливості часопростору

Je devenais une goutte d’eau, une tache d’encre. Sulla narrativa di Maurice Blanchot