Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  storyline
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
PL
Wszyscy pragniemy, aby nasze dzieci wyrosły na dobrych, mądrych ludzi. Oznacza to, że przedszkole/szkoła powinna położyć większy niż dotąd akcent na wprowadzanie ich w świat wartości. Wychowanie do wartości dokonuje się głównie poprzez dostarczanie najmłodszym dobrych wzorów postępowania, a także dzięki stosowaniu rozmaitych metod, szeroko zaprezentowanych w literaturze z zakresu teorii wychowania. W niniejszym artykule przedstawiona jest propozycja wykorzystania metody storyline w tym procesie. Zgodnie z założeniem metody, kanwą, wokół której organizuje się aktywność dzieci, jest opowiadana im etapami historia. W rezultacie na cały projekt składa się kilka epizodów tej historii. Epizod pierwszy powinien wprowadzić dzieci w tematykę, zaciekawić i zainspirować, epizody środkowe – ukazać barwnie rozwój zainicjowanych wcześniej wydarzeń, a epizod końcowy – przynieść satysfakcjonujące dzieci rozwiązanie. Po wyodrębnieniu epizodów nauczyciel do każdego z nich formułuje pytania kluczowe oraz projektuje sytuacje aktywizujące dzieci w różnych obszarach ich funkcjonowania, np. w zakresie wychowania moralnego, umysłowego, artystycznego, ruchowego. Storyline jest metodą aktywizującą, w której dzieci są aktywnymi badaczami i konstruktorami wiedzy, co prowadzi do ich większej samodzielności oraz odpowiedzialności za proces pozyskiwania wiedzy i poszukiwania kreatywnych rozwiązań. W artykule zawarto propozycję cyklu zajęć z zakresu wychowania do tolerancji. Tolerancja w dzisiejszym świecie, pełnym różnego rodzaju podziałów, jest wartością, której należy poświęcić szczególną uwagę.
EN
All of us wish for our children to grow up to become good, wise people. This means that kindergarten and/or school ought surely to place a stronger emphasis than in the past on introducing children into the world of values – something which is accomplished mainly by providing even the youngest with standards of good behavior, and by applying various methods such as are frequently presented in the literature concerning educational theory. This article presents a proposal for using storyline as part of this process. According to this method, the basis for providing a focus for the children’s activity is a story that is told to them. Such a story is narrated in stages; eventually, the entire project consists of a few episodes. The first episode should constitute an introduction to the subject for the children, anchoring their attention and inspiring them as well; middle episodes, meanwhile, should show the progress of the events that have already started to unfold in a colorful way, while the final episode should ultimately provide the children with a satisfying resolution. After distinguishing the respective episodes, the teacher formulates crucial questions, and programs some situations to motivate the children in various areas of their functioning – e.g. those pertaining to moral, mental, and artistic education, and to locomotive skills. Storyline is a stimulating method in which kids become active researchers and knowledge makers, which will eventually ensure greater self-reliance and responsibility on their part when it comes to gaining knowledge and seeking creative solutions. The article includes a proposal for a cycle of activities aimed at educating with a view to instilling tolerance. In today’s world, full of so many divisions and differences, tolerance is, after all, surely a value that merits special attention.
Stylistyka
|
2016
|
vol. 25
389-407
EN
The analysis covered interesting, in terms of kind, fiction, language, and above all narration, prose texts of Sylvia Chutnik and the last novel by Krzysztof Varga. The winner of the “Polityka Passport” combines the high with the low – what is full of acute seriousness and authenticity with what is gaudy, vulgar, cheap and sensational. From the collision of contradictions arise portraits of women, people of Warsaw streets, daily and festive situations, sketched with humor and seriousness, distance and irony. Whereas “Massacre” by Varga in a satirically-ironic form, feature as to its spirit and marked with distance, diagnoses contemporary Polish afflictions focused as in a lens in the Warsaw area. The main context are poetic issues of the literary work, which is why the centre of gravity was placed on the most interesting, in the case of these novels, way of telling the story and presenting the main characters. It is clearly visible, on the one hand, that they are rooted in traditional storytelling techniques, mainly Bakhtin’s dialogism, but on the other hand, the novels, within the meaning of the author, set new trails, new possibilities of organising the narrator’s and characters’ utterances. Technical measures, involving the combination of “voices”, their partial merger, mutual influence and other trans- formations result, paradoxically, in a breakup. The predominant effect, resulting from the application of these measures, related to the use of “someone else’s speech”, is even greater stratification of consciousness and languages, their atomisation and separation, without the possibility of participating in the real, not illusory dialogue. In effect, an image is created of a socio-linguistic magma with separated, although apparently linked consciousnesses – a cacophony of voices.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.