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Podejście zadaniowe a nauczanie terminologii specjalistycznej na studiach podyplomowych w zakresie translatoryki

100%
Dunin-Dudkowska A.
Acta Universitatis Lodziensis. Kształcenie Polonistyczne Cudzoziemców
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2016
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vol. 23
59-71
EN
Acquisition of new terminology in a foreign language is one of fundamental challenges encountered by all translators. Next to the lexical level it is necessary to learn a necessary scope of professional knowledge, enabling the translator to use appropriately the newly acquired vocabulary that often refers to issues which are not known to him/her well even in a native language. The author of the paper deliberates on the methods of effective teaching of specialist language, including mainly legal and economic terminology, required from candidates for sworn translators. She proposes the task based learning consisting of practical translations of selected texts, representing typical genres of speech in the spheres of communication under discussion.
PL
Poznanie terminologii specjalistycznej w języku obcym jest jednym z podstawowych wyzwań dla każdego tłumacza. Obok warstwy leksykalnej konieczne jest także przyswojenie niezbędnego zakresu wiedzy merytorycznej, umożliwiającej tłumaczowi prawidłowe posługiwanie się nowym słownictwem, często dotyczącym kwestii niezbyt dobrze znanych nawet w języku ojczystym. Autorka zastanawia się nad metodami nauczania języka specjalistycznego, głównie terminologii prawniczej i ekonomicznej, wymaganej od kandydatów na tłumacza przysięgłego. Proponuje wykorzystanie podejścia zadaniowego w nabywaniu umiejętności tłumaczenia tekstów, reprezentujących typowe gatunki w omawianych sferach komunikacji.
2
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Rozrachunki po przełomie. Polskie przekłady z literatury bułgarskiej po 1989 r. Diagnozy i prognozy. Współczesność i tradycja

89%
Juda C.
Przekłady Literatur Słowiańskich
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2009
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vol. 1
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issue 1
15-28
BG
Разглеждайки го списъка на преведените през последните петдесет годин книги от български на полски очевидно е, че след 1989 година броят на артистичните преводи систематично и драматично намалява. Причината на тези негативни тенденции трябва да се търси в крайно неразбираема културна политика — отлагане на съответните институции задалженията си да се подкрепя междукултурен диалог. Очевидно е, че без структурните промяни (подкрепящи активно действаши преводачи) няма шанс за прогресивните промяни.
EN
After 1989 the number of translations of Bulgarian literature into Polish decreased dramatically in comparison with the output of the previous 50 years. On the one hand, this seems to be caused by a complete change of the Polish state’s cultural policy principles, too little activity on the part of relevant institutions, or even giving up the obligation to create and support the inter‑cultural dialogue or to mediate in this process. On the other hand, it is primarily market economy and interest of the media and not the efforts or commitment of the translators that are decisive factors for the number and quality of publications.
3
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Dora Gabe i Anna Kamieńska — dialogi poetyckie

71%
Kovacheva A.
Przekłady Literatur Słowiańskich
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2012
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vol. 3
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issue 1
219-233
BG
В настоящата статия поетическият диалог между двете поетеси и прeводачки е представен като разговор за майката — майката на жената като извор на нейното творчество. От тази гледна точка преводаческата практика на Дора Габе е описана като „модел на палимпсеста”, защото дава възможност за разширение на родния език така, че той да помести чуждия, а замазването на полския поетически текст е съпътстван с неговото наси¬щане със собствени творчески сили. Тази преводна стратегия разбива стила на рецепция на полската поезия в България, налаган от Боян Пенев, превъзмогва нейните асиметрии, в които полската поетика винаги е виждана като доминираща. По-нататък преводите, направени от Блага Димитрова и Светла Гюрова са представени като продължение на па¬лимпсестовите преводни практики, предложение от Дора Габе.
EN
In this article poetic dialogues between the women poets and translators are represented as a conversation about the mother who is an inspiration for their artistic creativity. From this point of view the translation practice of Dora Gabe is described as palimpsest, because it gives the op-portunity for the language to expand so there is place for another, foreign language in its boundaries. In the process of erasing of the Polish source-text, the Bulgarian target-text is being fulfilled with translators’ creative energies. This translation strategy disrupts the stereotypical reception model of Polish poetry in Bulgaria, popularized by Boian Penev. It overcomes its asymmetrical patterns. Svetla Gurova’s and Blaga Dimitrova’s translations are analyzed as continuation of the palimpsest translation model, introduces by Dora Gabe.
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