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1

Karla Dedeciusa portret podwójny. O tłumaczu poezji polskiej i autorze refleksji o literaturze

100%

Łazarska D.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2022

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vol. 22

143-158

EN

The aim of this article is to portray Karl Dedecius, a translator of Polish poetry and author of reflections on literature. The picture of the connoisseur and lover of Polish works is accompanied by parallel reflections on Dedecius as a person, his double biography, the role he played in dealing with the works of Polish writers as well as the influence of literature on him. The reflections are based, among other things, on the research into Dedecius’essays, lectures, his autobiography and his correspondence with Tadeusz Różewicz. The proposed considerations and the types of documents mentioned - which contain a wealth of information about the translator’s private life, e.g. his preferred values, hi views on interpersonal relations, and his professional life, e.g. his passion for translating literature, its influence on building positive relations between nations - are related to selected elements of the theory and methodology of biographical research.

2

Rozrachunki po przełomie. Polskie przekłady z literatury bułgarskiej po 1989 r. Diagnozy i prognozy. Współczesność i tradycja

84%

Juda C.

Przekłady Literatur Słowiańskich

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2009

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vol. 1

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issue 1

15-28

BG

Разглеждайки го списъка на преведените през последните петдесет годин книги от български на полски очевидно е, че след 1989 година броят на артистичните преводи систематично и драматично намалява. Причината на тези негативни тенденции трябва да се търси в крайно неразбираема културна политика — отлагане на съответните институции задалженията си да се подкрепя междукултурен диалог. Очевидно е, че без структурните промяни (подкрепящи активно действаши преводачи) няма шанс за прогресивните промяни.

EN

After 1989 the number of translations of Bulgarian literature into Polish decreased dramatically in comparison with the output of the previous 50 years. On the one hand, this seems to be caused by a complete change of the Polish state’s cultural policy principles, too little activity on the part of relevant institutions, or even giving up the obligation to create and support the inter‑cultural dialogue or to mediate in this process. On the other hand, it is primarily market economy and interest of the media and not the efforts or commitment of the translators that are decisive factors for the number and quality of publications.

3

Słowacki realizm magiczny w polskim przekładzie

84%

Buczek M.

Przekłady Literatur Słowiańskich

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2009

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vol. 1

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issue 1

196-208

SK

V svojom članku autorka uvažuje na tému prekladových výborov Jacka Bukowského, poľského prekladateľa prózy Václava Pankovčína, predstaviteľa mládej generácie slovenských spisovateľov, debutujúcich na začiatku 90 tých rokov. Zbierka krátkych poviedok Marakéš (1994) a novela Tri ženy pod orechom (1996), ktoré boli publikované v Poľsku pod názvom Marakesz (2006) sú ojedinelé preklady slovenskej prózy vychádzajúce v tomto roku. Autorka članku rozvažuje výbor prekladovej stratégie a jeho konzekvencie.

EN

The author presents in this paper her consideration of the strategy of translation taken by Jacek Bukowski, polish translator of Václav Pankovčín prose. Short stories Marakéš (1994) and the novel Tri ženy pod orechom (1996) by Václav Pankovčín were publicated in Poland under the title Marakesz (2006) and are the only one example of slovak prose transalted into polish this year. The author of the paper discusses transtlatological problems of the prose wchich strongly corespondents with magical realism, she concentrates on the semantic signals of the text, significant elements of the structure which define the boundary‑line of the meaning space of Václav Pankovčín works. Finaly she reflects on the transfer of implicated senses and meanings from original into translation. She reflects how in proces of translation the translator transfered hormony of fundamental codes of the original (lexical, semantics, cultural and estetic).

4

O ocenianiu i ewaluacji w translatoryce w kontekście rozumienia przekładu jako gry

67%

Kubaszczyk J.

Homo Ludens

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2017

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issue 1(10)

133-150

PL

Artykuł nawiązuje do koncepcji przekładu jako gry. Autorka przyjmuje, że przekład nie jest prostą sumą niepowiązanych ze sobą decyzji, które można rozpatrywać w oderwaniu od siebie, lecz tworem kompleksowym, wieloaspektowym, rezultatem działania opartym na projekcie. Dlatego badaczka postuluje, by kompleksowość przekładu uwzględnić w ocenie, stosując tzw. ewaluację splotową opartą na ocenie strategii. W związku z tym jako podstawowy typ błędu w przekładzie traktuje błąd strategiczny. Stawia pytanie o możliwość optymalizacji tłumaczenia, odwołując się do drzewa gry. Za pomocą egzemplifikacji zaczerpniętych ze spolszczenia powieści Die Rättin Güntera Grassa ilustruje, w jaki sposób można dokonywać oceny przekładu – na podstawie analizy strategii opartej na różnicach – i optymalizować go.

EN

The article refers to the concept of translation as a game. The author assumes that translation is not a simple sum of unrelated decisions that can be considered in isolation from one another, but is a comprehensive, multi-faceted creation, a result of a project-based-action. In order to take this complexity into account in the assessment of a translation, it is postulated to use the so-called splice evaluation, based on the category of difference and an assessment of strategy. Therefore, a strategic error is treated as a primary type of error in the translation. The paper poses a question about the possibility of optimizing translation referring to the game tree. Based on examples from the translation of the novel Die Rättin by Günter Grass, how translation can be evaluated and optimized is illustrated.

5

Tłumacz zdemaskowany. Wybrane teksty Dubravki Ugrešić w przekładzie Doroty Jovanki Ćirlić — spojrzenie krytyczne

51%

Jawoszek A.

Przekłady Literatur Słowiańskich

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2015

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vol. 6

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issue 1

158-171

HR

Na primjeru izabranih tekstova Dubravke Ugrešić prevedenih na poljski od strane Dorote Jovanke Ćirlić, najpopularnije ali i najčešće kritizirane od strane domaćih slavista, suvremene poljske prevoditeljice balkanske književnosti, razmotriti ćemo pitanje prisutnosti (ili odsutnosti) prevoditelja u tekstu. Na temelju prijevoda romana Štefica Cvek u raljama života i zbirke eseja Nikog nema doma analizirat ćemo prevodilačke strategije i pojedinačna translatorska rješenja kao i njihovo značenje u kontekstu prevodilačke slobode i njezinog utjecaja na postupak izgradnje pozicije autorice i recepcije njezinih tekstova u drugom kulturnom i jezičnom kontekstu.

EN

On the selected Dubravka Ugrešić’s texts translated into polish by Dorota Jovanka Ćirlić, on the one hand the most popular on the second hand the most criticized by the local Slavists, contemporary Polish translator of Balkan literature, we can analyze the question of a presence (or absence) of translators in the text. On the example of translation of the novel Stefica Cvek in the Jaws of Life and book of essay There is no one at home, we analyze the strategies of translation and individual translator’s solutions as well as their importance in the context of “freedom of translator” and its impact on the process of building author’s position and reception of texts in different cultural and linguistic context.

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3 Przekłady Literatur Słowiańskich

1 Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

1 Homo Ludens

1 Buczek M.

1 Jawoszek A.

1 Juda C.

1 Kubaszczyk J.

1 Łazarska D.

1 2022

1 2017

1 2015

2 2009

Karla Dedeciusa portret podwójny. O tłumaczu poezji polskiej i autorze refleksji o literaturze

Rozrachunki po przełomie. Polskie przekłady z literatury bułgarskiej po 1989 r. Diagnozy i prognozy. Współczesność i tradycja

Słowacki realizm magiczny w polskim przekładzie

O ocenianiu i ewaluacji w translatoryce w kontekście rozumienia przekładu jako gry

Tłumacz zdemaskowany. Wybrane teksty Dubravki Ugrešić w przekładzie Doroty Jovanki Ćirlić — spojrzenie krytyczne