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The linguistic exponents of the colour white in Julian Tuwim’s poetry are both primary and secondary names of the colour white. For the sake of creating poetic images of the nature, human appearance, his physiology and emotions Tuwim used conventional connotations of the colour white.
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Barwa złota w utworach lirycznych Juliana Tuwima

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In the poems of Julian Tuwim that were taken into consideration during the research 27 words from the semantic field of the word 'gold' occurred in 110 of text implementations. Gold was used in order to create diversified elements of the world, such as nature, human, appliances, food or even abstract ideas. The poet made use of well-known culturally connotations of the colour gold and used it in harmony with current trend. In Tuwim's poetry gold is very often associated with ennoblement, very rarely with irony. Colour gold intensified also the poetry of images while it was the component of a great amount of stylistic devices like metaphors, personifications, periphrasis or comparisons.
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Pole czerwieni w wierszach Juliana Tuwima

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The linguistic exponents of the colour red in Julian Tuwim’s poetry are both primary and secondary names of the colour red, with the latter dominated by expressions referring to the prototypes of fire and blood. For the sake of creating poetic images of human appearance, his physiology and emotions Tuwim used conventional connotations of the colour red. However, what draws attention is the poet’s proneness to the description of morbidity and ugliness. Additionally, the colour red and its synonymous names were used for the linguistic creation of political events and the description of nature. What is interesting is the phenomenon of frequent occurrence of the colour discussed in the autothematic poems, in which the colour reflects unusual fervency of the poetic afflatus and the toil of creative work.
EN
This article deals with the widely understood motif of “earth” and its polysemy in the poetic works of Karol Wojtyła / John Paul II. The method of literary analysis and interpretation has allowed for the discerning of a semantic field and to demonstrate the function of the motif of “earth” in the author’s outlook on material reality, his attitude towards the fertility of the soil, nature, fatherland, the Earth, the cosmos and, finally, spiritual reality, combined, in man, with material reality in a particular way, through the Incarnation and Redemption. The analysis of the individual poetic style, especially the method of evoking landscapes, has proved to be a particularly useful interpretational tool, and helps distinguish Karol Wojtyła from his predecessors, interwar poets, and contemporaries – the young poets of the war generation.
PL
W artykule podjęte zostało zagadnienie szerokiego rozumienia słowa „ziemia”, jego wieloznaczności w utworach poetyckich Karola Wojtyły – Jana Pawła II. Metoda literackiej analizy i interpretacji pozwoliła na wyznaczenie pola semantycznego oraz na ukazanie funkcji, jaką pełni motyw ziemi w prezentowaniu stosunku Autora do rzeczywistości materialnej, do urodzajności gleby, do przyrody, ojczyzny, ziemskiego globu oraz kosmosu, w końcu do rzeczywistości duchowej, z którą rzeczywistość materialna łączy się w człowieku, od czasów Wcielenia i Odkupienia w szczególny sposób. W odczytaniu sensów ideowych przydatna okazała się analiza indywidualnego stylu poetyckiego Autora, zwłaszcza sposobów ewokacji krajobrazów. Metoda przywoływania wybranych elementów przyrody odróżnia go od poprzedników, od tworzących w dwudziestoleciu międzywojennym oraz rówieśników – młodych poetów wojennego pokolenia.
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