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Satanic Elements in Czech Black Metal: Subcultural Style and Identity

100%
Vrzal M.
Národopisná revue (Journal of Ethnology)
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2023
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vol. 33
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issue 3
187 - 205
EN
The article focuses on satanic elements within the subcultural style of black metal. The text is based on own long-term qualitative research, in particular the analysis of interviews with Czech black metallers aged 21–33, supplemented by ethnographic findings from 2010 to the present. The study shows the function of satanic elements both as a source of style resistance to what is perceived by the participants as mainstream, and also their connection with the formation of anti-Christian ideology, which must also include an anti-social and anti-cultural aspect. From the point of view of the use of satanic elements, the participants particularly emphasized the period of adolescence, when for them, within their own image, satanic elements played an important role as a subcultural code communicated to the surrounding society. At the same time, Satanist elements played a role in shaping the participants’ own religiosity, specifically Satanist identities.
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Roviny politizace ve výzkumu hudebních subkultur mládeže

58%
Kuřík B., Slačálek O., Charvát J.
Sociologický časopis. Czech Sociological Review
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2018
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vol. 54
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issue 5
781-804
EN
This review article elucidates and systematises existing research and theories of the de/politicisation of youth music subcultures. It examines the political dimension within the interdisciplinary field of subcultural studies in two main steps. First, it identifies and discusses five key dimensions of researching politicisation: politicisation through style and how style is read and through repressive power, the politicisation of everyday life and internal dynamics, and politicisation in the direction of organised activity. Second, these dimensions are presented and compared in a summarising table from two main perspectives: according to the research focus and according to the dynamics of de/politicisation being observed. The article also briefly outlines several possible directions of future research on the politicisation of youth music subcultures.
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