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The Subject in Times of Media and Social Change. The Analytic Potential of the Mediatization Approach Using the Case of Retro Gaming

100%
Wimmer J.
Mediatization Studies
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2020
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vol. 4
EN
The study focuses on the question of the mediatized constitution of subject and subjectivity, which, surprisingly, has received little attention so far. The analytical reference to the mediatization approach enables a holistic understanding of subject, communication and media. Using the empirical example of the media (sub)culture of retro games, this article empirically examines the extent to which computer gamers are influenced by the spaces of experiences of games, not only in the moment of playing them, but also in the long term, with regard to their personal development and social community. The findings illustrate two dimensions of subjectivation processes: on the one hand, the reflective handling of computer games and thus subjectivation through games and game contexts, on the other hand, the nostalgic recollection of specific games and game contexts, which can be clearly separated analytically from the first dimension.
2

Shadows Between the Signs

63%
Howard D. B.
American, British and Canadian Studies Journal
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2015
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vol. 25
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issue 1
60-94
EN
The following experimental text is drawn from my most recent research project War Machines: Utopia and Allegorical Poetics in the Twenty-First Century. The project is an adaptation of the allegorical poetics developed by the French poet Charles Baudelaire in his scathing attacks on the sweeping transformation of Paris being conducted by Napoleon III’s right-hand man, Baron Haussmann. This small excerpt from my new book is a demonstration of my critical and poetical re-framing of Benjamin’s work that orients itself more towards the overlooked elements of Benjamin’s Marxism, as well as his “weak messianic” perspective, in order to re-assert a more radical orientation of his poetics and critical method with the utopian perspectives found in the work of that other great Marxist outlier of the twentieth century, Ernst Bloch, especially as outlined in his book, The Principle of Hope. Thus, unlike the postmodern appropriation of Baudelaire and Benjamin, I want to propose the possibility of bridging the gap between allegorical poetics, Marxism, and utopianism once again as a rigorous, critical option in the twenty-first century.
3
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The Images of Time in the Epoch of Multiculturalism

51%
Nalivaika I.
Limes. Cultural Regionalistics
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2008
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vol. 1
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issue 2
131-138
EN
The article is devoted to the comprehension of the connection between the idea and practice of multiculturalism and images of time that define the identity of classical cultural models. To answer the question about the perspectives and the limits of multiculturalism as new form of pluralism, it is necessary to examine the origins of the idea of plurality in Western culture. This idea occurs to be deeply connected with the specific movement of subjectivation and the mode of time-experience that defines the ontological basis of the Self. The specific feature of European mode of apprehension of the time is its visual character. The vivid call of the epoch of multiculturalism is the need for transformation of indefinite plurality into real diversity. It demands new ontology based on refusal from visual approach to time and on transition "eidetic" one into "existential".
LT
Apmąstomas multikultūralizmo ir laiko įvaizdžių, apibrėžiančių klasikinių kultūrinių modelių tapatumą, idėjos ir praktikos santykis. Siekiant aptarti multikultūralizmo kaip naujos pliuralizmo formos perspektyvas ir ribas, būtina išsiaiškinti pliuralumo kaip idėjos kilmę Vakarų kultūroje. Ši idėja yra itin glaudžiai susijusi su tam tikra subjektyvacija ir laiko patirtimi, neatsiejama nuo tapatybės ontologinio pagrindo. Skiriamasis europietiškojo laiko suvokimo bruožas yra pastangos jį vizualiai charakterizuoti. Multikultūralizmo epochoje neribotas pliuralumas transformuojasi į tam tikrą skirtingumą. Tam reikia naujos ontologijos, kuria remiantis būtų galima atsisakyti vizualaus požiūrio į laiką ir taip pereiti nuo jo "eidetinės" prie "egzistencinės" traktuotės.
4
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Z genealogii nowożytnego doświadczenia świadomości. Chrześcijański rachunek sumienia

51%
Wawrzyniak S.
Internetowy Magazyn Filozoficzny Hybris
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2021
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vol. 55
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issue 4
1-23
EN
The article aims to investigate the modern self-experience of an individual from the point of view of the historical conditions that make this experience possible. This undertaking will be supported by the turn to a theory and practice of self-examination as it appears in early Christianity. It is widely recognized that there is a connection between modernity and subjectivity. One of the areas where it is reflected is philosophy. By founding the paradigm of modern philosophy, Descartes finds in his turn to himself a certain basis of cognition and a space where forward progress in the process of building a new system of knowledge may take effect. For Descartes consciousness is, however, a means, not an end. This is one of the reasons why it is not "questioned" sufficiently. Among many questions that were not addressed at all for a long time, one should mention, how the experience on which Descartes bases his reasoning became possible. In the history preceding the Cartesian turn inward, we can identify many interesting moments - which can be found with great confirmation in early Christianity - that play a significant role in the constitution of the experience that will become so important for modernity.
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