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1

Художня освіта та мистецтво аванґарду в Україні у контексті радянської соціалістичної програми

100%

Prokopchuk I.

Studia Ucrainica Varsoviensia

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2017

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vol. 5

227-241

PL

The study presents retrospectives of the early periods of the so-called “Soviet culture”, through the prism of historical and political events which occurred after 1917 when Soviet ideologists assigned to avant-garde art, in particular, to futurism and constructivism, to carry out their destructive work. The attention is drawn to historical preconditions of the formation and development of the new forms of the Ukrainian art education. The artistic works of 1920 designated out of passion of the prospects opened by cubofuturism, suprematism, and constructivism are analyzed. The unique features of works of prominent authors consist in their organic combination of social experiment of post – revolutionary epoch with the experiments of avant-garde arts. It is underlined that in particular avant-garde art impregnated by the ideas of futuristic utopia became a real foundation for the offi cial soviet art until 1932.

2

Ornament a sztuka abstrakcyjna. Florenski, Kandinsky, Malewicz

100%

Sury P.

Estetyka i Krytyka

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2016

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issue 1(40)

85-104

EN

This paper attempts to exhibit similarities between an idea of abstract art by Wassily Kandinsky and Kazmir Malewicz and Pavel Florensky’s theory of ornament. The article is based on Florensky’s book Анализ пространственности и времени в художественно-изобразительных произведениях which hasn’t been translated into Polish yet. It also refers to theoretical works of Russian artists which are revealed above. According to Florensky the ornament is not just a decorative element but it appears as a representation of arrangement and structure of life. This kind of art, in his opinion, was not appreciated by people from art environment, especially abstractionists. Presentation of ideas by Pavel Florensky is the leitmotiv of this paper which appears as an opportunity for Polish receivers to become acquainted with Russian philosopher’s original interpretation of, so called, decorative art. It also leads to the question if decorative art should be included what could be referred to as non representational art.

3

„Czerwonym klinem bij Białych”. Żydowskie inspiracje El Lissitzky’ego

67%

Kamczycki A.

Studia Europaea Gnesnensia

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2011

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issue 4

189-202

PL

The article focuses on the analysis of the 1919 poster entitled “Beat the Whites with the Red Wedge”. The intention of the text is to demonstrate the artist’s inspirations with Jewish mysticism, messianism and Kabbalah, exploited for the needs of the Soviet, revolutionary interpretation of building a new world

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1 Estetyka i Krytyka

1 Studia Europaea Gnesnensia

1 Studia Ucrainica Varsoviensia

1 Kamczycki A.

1 Prokopchuk I.

1 Sury P.

1 2017

1 2016

1 2011

Художня освіта та мистецтво аванґарду в Україні у контексті радянської соціалістичної програми

Ornament a sztuka abstrakcyjna. Florenski, Kandinsky, Malewicz

„Czerwonym klinem bij Białych”. Żydowskie inspiracje El Lissitzky’ego