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“Pigeons Fly off a Stone Mountain”: From a Cooing Lovebird to a War Pigeon, or Modification of Embroidered Rock Dove’s Symbolics in Today’s Ukrainian Merch

100%
Brovarets T.
Eidos. A Journal for Philosophy of Culture
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2023
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vol. 7
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issue 2
52-67
EN
The article is devoted to the symbolics of doves on epigraphic embroidered towels (mainly known as rushnyks with inscriptions), which were massively produced by Ukrainian girls and women from the end of the nineteenth till the middle of the twentieth century. Embroidering lines from folk songs or proverbs on textile was a very popular kind of so-called written (or fixed) folklore. By combining these verbal texts with different images of pigeons, fundamentally new works were created. For some time, this phenomenon was almost forgotten. However, in the course of recent years Ukrainian collectors and artists have been actively using old embroidered samples for souvenir products or stage decorations. Being popularized and updated in our time, the meaning of these embroidered birds has undergone significant changes. On specific examples, the author shows how one and the same image of pigeons acquires different, often even opposite senses depending on the context.
2
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Garnet Bracelet in 'The Garnet bracelet' by Aleksandr Kuprin: Symbolics of the Image

100%
Ранчин А.
Slavia Orientalis
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2020
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vol. LXIX
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issue 1
3
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Treści i symbolika polichromii w kościele cystersów w Jędrzejowie (zarys problematyki)

84%
Rotter L.
Folia Historica Cracoviensia
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2004
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vol. 10
EN
A close theological and artistic co-operation has been observed in religious art since the Middle Ages. In the Baroque this co-operation was best revealed in monumental decorations inside churches. An example of it is the polychromy in the abbot church in Jędrzejów, whose author was Andrzej Radwański. Intention plan includes both theological content and issues connected with spirituality and activity of the Cistercian order. The history of the Jędrzejów Abbey was particularly emphasized and so was the person of the Blessed Wincenty Kadłubek, who was connected with it. A correlation between historical and symbolical depictions is very interesting; a method often used by Radwański in his monumental decorative painting.
PL
Historia archiopactwa cystersów w Jędrzejowie sięga XII wieku, kiedy to, z inicjatywy braci Klemensa i Jana Gryfitów, sprowadzeni zostali do Polski pierwsi cystersi. Fundatorzy w latach 1141-1149 wznieśli i uposażyli dla nowo sprowadzonego zakonu klasztor w Jędrzejowie (dawniej Brzeźnicy). Klasztor ten stał się 21 filią opactwa w Marimond. W 1149 roku został podniesiony do godności opactwa. Równocześnie opactwo jędrzejowskie dało początek nowym fundacjom na ziemiach polskich - w Szczyrzycu i Rudach Wielkich. Polichromia w kościele opackim w Jędrzejowie była pierwszą samodzielną i zarazem tak dużą realizacją młodego naówczas artysty – Andrzeja Radwańskiego.
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