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Passion poetry plays an important part in the early creative work of Symeon of Polotsk. Visions of Christ’s suffering sparkle in his poems with baroque ornaments - sophisticated symbo- lism and exquisite metaphors structured on contrast. Describing last hours of Christ before the crucifixion, Symeon does not run from vivid, naturalist imagery, full of cruelty and pain. The suffering does not belittle Jesus, on the contrary, in the eyes of Symeon it makes Him more powerful, the true Lord of all creation. The most characteristic for this series of poems is their emotional flavour. Symeon is very personal in these works. He does not scare from using a strong, graphic language that should engage all senses of the reader, even bring him/her to tears. Filled with imagery, the passion poetry of Symeon is designed to resonate with the inner world of the reader and induce mystical experiences. To that end Symeon uses the brutality of Christ’s suffering and other sophisticated literary concepts.
EN
The conceptual structure of the institute of democratic civic consciousness with the effect of symbolic component influence on the process of formation of the Institute for Democratic Citizenship is determined in this work. In this investigation are used the institutional approach for the understanding of civic consciousness as a political institution and determination of the conceptual framework of the components of citizenship through its social purpose as part of the community which is a bearer of identity as the source of personality and ability to organize themselves in a political context. With the help of the psychological approach the essence of the functioning of the institute of civic consciousness is considered, where an important role is played by symbolic component. The analysis of the survey on the impact of political symbols on the mood of students of the Southern region of Ukraine which were conducted by the author in December 2014 is provided. The influence of internal and external challenges of the Ukrainian society of the end of 2013th and beginning of 2015th on the formation of a collective citizenship i.e. civic consciousness as a political practice is investigated. The study has scientific and practical value and the purpose of determining the strategy of the national policy of political socialization of citizens, taking into account the effect of unifying influence of the state national symbols and national language.
EN
Two works: the painting by Swiss painter Arnold Böcklin and the poem by the Young Poland poet Zofia Gordziałkowska inspired by that painting are the subject of considerations. Both works have the same title - Pan Amongst the Reeds. Comparative analysis allowed determining to what extent the poetic version of the subject is true to the painted original - do we deal with a description of the painting, a lyric comment to it and an attempt at reading it ormaybe it was just the reason for developing a king of reflection going far beyond the work by Böcklin. The poem, treating the subject presented in the painting (the mythological Pan) asa synonym of an artist complaining and hankering after something unspecified, leads to theconclusion that arts hinder enjoying life. On the other hand, treating the subject as a representative of the nature or personification of life reduces that life to using it, to the sensual intoxication. The originality of the poet is represented by deviation from convention in understanding the landscape functioning in symbolism. She processes the subject undertakenby Böcklin in the way aiming at highlighting not only the value of the art but, first, the value of life.
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