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Белорусская песенная строфика как предмет лингво-музыкальной диалектологии

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Кутырёва-Чубаля [Kutyriowa-Czubala] Г. G.

Acta Baltico-Slavica

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2012

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vol. 36

EN

Belarusian stanzaic prosody as a topic of the lingua-musical dialectology Stanzaic prosody of ritual songs detects both synchronous as well as polymorphic or bistructural correlations of the two song components – poetic text and tune. Tune often has its own actual segmentation (which does not match the text) and its own syntagmatics. Therefore, the verse-quantitative (according to number of verses in the strophe) classification of song forms accepted so far in musical folklore is unproductive and slightly informative. Paradigmatics of melodious forms is more complex and diverse. The same poetic text in tunes of various internal architectonics has different tension, euphony and semantics. This article discusses four of them: 1) repeating, 2) reprise-symmetrical forms, 3) polymorphic forms based on bistructural properties (opposition) of text/tune, 4) implicative forms, variations of question-and-reciprocal ones. Each of the structural-compositional paradigms has its spatial distribution (areal) and is located in the chronological order of forms.

2

Badanie skojarzeniowe jako sposób na wyjaśnienie przyczyn błędów popełnianych przez uczących się języka polskiego jako obcego

100%

Kozhinova A.

Poradnik Językowy

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2023

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vol. 800

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issue 1

73-84

PL

This article is dedicated to the presentation of an associative research aimed to discover the psycholinguistic causes of the errors made by East Slavic students learning Polish as a foreign language by enumerating the number of paradigmatic and syntagmatic associations. The research has shown that although foreign students already have an established lexical resource, the government of words, their connectivity in a sentence, has not been rooted in their language awareness yet.

3

Белорусская песенная строфикакак предмет лингво-музыкальной диалектологии

51%

Кутырёва-Чубаля Г.

Acta Baltico-Slavica

|

2012

|

vol. 36

93-112

EN

Stanzaic prosody of ritual songs detects both synchronous as well as polymorphic or bistructural correlations of the two song components – poetic text and tune. Tune often has its own actual segmentation (which does not match the text) and its own syntagmatics. Therefore, the verse-quantitative (according to number of verses in the strophe) classification of song forms accepted so far in musical folklore is unproductive and slightly informative. Paradigmatics of melodious forms is more complex and diverse. The same poetic text in tunes of various internal architectonics has different tension, euphony and semantics. This article discusses four of them: 1) repeating, 2) reprise-symmetrical forms, 3) polymorphic forms based on bistructural properties (opposition) of text/tune, 4) implicative forms, variations of question-and-reciprocal ones. Each of the structural-compositional paradigms has its spatial distribution (areal) and is located in the chronological order of forms.

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2 Acta Baltico-Slavica

1 Poradnik Językowy

1 Kozhinova A.

1 Кутырёва-Чубаля [Kutyriowa-Czubala] Г. G.

1 Кутырёва-Чубаля Г.

1 2023

2 2012

Белорусская песенная строфика как предмет лингво-музыкальной диалектологии

Badanie skojarzeniowe jako sposób na wyjaśnienie przyczyn błędów popełnianych przez uczących się języka polskiego jako obcego

Белорусская песенная строфикакак предмет лингво-музыкальной диалектологии