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Błysk, Tortura i Punk - Rekonstrukcja Performance Tibora Hajasa Wykonanych na Festiwalach w Polsce w 1978 Roku

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Sablik M.
Sztuka i Dokumentacja
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2021
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issue 24
81-90
EN
Tibor Hajas, one of the most important Hungarian performers and representatives of neo-avant-garde art, performed twice in Poland in 1978. The first time was during the IAM Festival at Galeria Remont in Warsaw, and the second time – at the International Meetings of Artists Performance and Body at Galeria Labirynt in Lublin. It was the first time that the artist had appeared directly in front of the audience, which had a direct impact on his art and constituted the style of his performances. The article reconstructs both actions, trying not only to recreate the sequence of movements and gestures, but also to place these actions in the broad context of Hajas's work and the performance art of the late 1970s. Moreover, it presents the artist's previously unpublished typescripts – the script of the performance of Dark Flash and the manifesto entitled Performance: The Sex Appeal of Death (The Aesthetics of Damnation) found in the De Apple gallery archive in Amsterdam.
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Możliwości interpretacji sztuki akcyjne

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Morganová P.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
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2017
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vol. 23
70-101
EN
Pavlína Morganová Ways of interpreting action-art Based on the publication by three outstanding Czech theorists: Jindřich Chalupecký (1910-1990), Petr Rezek (1948) and František Šmejkal (1937- 1988), Morganova describes three different ways of interpreting action art. She analyzed art pieces from 1966, 1977 and 1981, referring to the early and mature stages of action art in the Czechia. The presented study brings together significant examples of Czech action artist, for example Vladimir Boudnik the precursor, and Milan Knížák, a younger follower. There are also references to the international context (for example the Fluxus movement), philosophy (phenomenology) and psychology (Carl Gustav Jung’s theories). Morganova draws readers’ attention to difficulties in unequivocally explaining and commenting on action art. The final reflections are aimed at resolving the question of whether and to what extent that kind of art belongs to postmodernism.
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