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1

Co może oznaczać herb Lublina?

100%

Plisiecki P.

Roczniki Humanistyczne

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2013

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vol. 61

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issue 2: Historia

13-24

EN

In the first part of the article a summary of the present state of research on the Lublin coat of arms is presented. On the basis of a discussion of the preserved impresses of a seal with this coat of arms the conclusion may be reached that in the whole Old Polish period until the end of the 18th century simultaneously two seals were used: ones that showed a goat only and ones showing a goat jumping on a vine. There is no basis then to think that the oldest preserved impress of a seal dating back to the beginning of the 15th century and showing only a goat was at the same time the oldest complete image of the Lublin coat of arms. In also must be stressed that the representation of the very goat should be considered a simplified version of the Lublin coat of arms, which from the very beginning could have presented a goat jumping on a vine. In the next part of the article a discussion is presented of the meaning of the Lublin coat of arms. Taking into consideration the Biblical (and also theological) meaning of the goat as well as that of the vine it may be recognized that the Lublin coat of arms means the Eucharist, Jesus Christ’s voluntary sacrifice, or a sacrifice of his life made by a martyr (the use of the motif of the goat and vine on the Gniezno Doors may suggest the person of St Adalbert here).

2

Gestykulacja jako sposób wyrażenia treści Misterium Paschalnego w sztuce średniowiecznej Europy Środkowej

80%

Tabor D.

Folia Historica Cracoviensia

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2007

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vol. 13

EN

The Paschal Mystery is the central reality of the Christianity. This is a series of historical events, presented in the canonical Gospels, in which Jesus from Nazaret was submit to the suffering, death, but was revived and bas ascend 10 the glory. These events was full of meanings and significations. This significations of paschal event has been meditated and analyzed in the Christian text, - in Gospels, in Paul’s Letters, but in the sermon of Fathers of the Church. Meliton of Sardes, Orygenes, Pseudo-Hypolite, and others are known as the interpreters of paschal events. The liturgical texts - Exultet and Victimae Paschali explain the profound sense of the Death and the resurrection of Christ All these works inspired the iconography. This presentation has to review the some works of art in Central Europeand interpretations their theological sense. The gestures will be the key to discovery of meaning.

3

Niezwykłe dzieje i ikonografia Drzwi Płockich

80%

Bender A.

Archiwa, Biblioteki i Muzea Kościelne

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1999

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vol. 71

369-378

EN

The bronze Plock Door beside Gniezno Door belong to the most splendid masterpieces of 12th century European founding. Thanks to recent scientific re-search it was possible to get to know a history and iconography of this work. So today we know that it was made between 1152-1154 in Magdeburg. After on, in the end of 13th or in 14th century, in whole unknown circumstances the Door as a booty to Big Novogrod (Russia), where it is still remains. In 1981 its faithful copy was installed in Plock cathedral. In a book - Credo Apostolorum w romańskich Drzwiach Plockich (Credo Apostolorum in the Romanesque Plock Door) the autor - Rev. Ryszard Knapiriski proved the scens on the Door illustrate profession of faith.

PL

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1 Archiwa, Biblioteki i Muzea Kościelne

1 Folia Historica Cracoviensia

1 Roczniki Humanistyczne

1 Bender A.

1 Plisiecki P.

1 Tabor D.

1 2013

1 2007

1 1999

Co może oznaczać herb Lublina?

Gestykulacja jako sposób wyrażenia treści Misterium Paschalnego w sztuce średniowiecznej Europy Środkowej

Niezwykłe dzieje i ikonografia Drzwi Płockich