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EN
The author is aiming to show how far K. Wojtyła – John Paul II – was involved in the historical events of the world. As pope, he took on responsibility not only for the Church, but also for the whole of humankind. The large extent of his pastoral activity, his worldwide visits and his personal contact with many people gave him the opportunity to approach the true nature of the social, political and spiritual dramas of the world. It is interesting to see this approach from the perspective of the dramatic dimension of his personal life, his private experience of loneliness, suffering and death. This paper offers an existential and personalistic analysis provided by the classical playwrights Calderón de la Barca and William Shakespeare, the philosophers of dramatic theatre Henri Gouhier and the theologian of the drama of God and man Hans Urs von Balthasar. The idea of a global theatre – theatrum mundi – and the theatre of God – theatrum Dei – played an essential role in the life of Pope John Paul II, unless he never wanted to be associated with acting. His role and his mission were in complete coexistence in his one person. If anybody wanted to see him as an actor, he should see him as an actor of God’s theatre, playing roles of the theatre of humankind. In doing this he was able to reach the essential meaning of different kinds of human dramas, to bring them to the light of hope, of God’s mercy and love.
EN
The article presents the genesis and activity of the The Pontifical Institute of Ecclesiastical Studies as an example of the Catholic Church’s approach to cultural heritage. They are seen as a tool of evangelization and a space for dialogue, and have long been the Church’s concern, which in the last decades of the last century also took on an institutional dimension at the central (Vatican dicasteries and Roman formation programmes) and local levels (initiative of Cardinal Stefan Wyszynski and Fr. Eugeniusz Reczek, SJ). The sources of these concrete actions may be found in the Christian approach to memory and history, which is rooted in the Bible. For the Church, history has a deeper meaning, it is perceived as ‘theology’ rather than ‘politics’ of culture.
PL
W artykule zaprezentowano genezę i działalność Papieskiego Instytutu Studiów Kościelnych jako przykład podejścia Kościoła do dóbr kultury. Widziane jako narzędzie ewangelizacji i przestrzeń dialogu są one od dawna przedmiotem troski Kościoła, która w ostatnich dziesięcioleciach ubiegłego wieku przybrała również wymiar instytucjonalny na poziome centralnym (watykańskie dykasteria i rzymskie programy formacyjne) oraz lokalnym (inicjatywa kard. Stefana Wyszyńskiego i o. Eugeniusza Reczka SJ). Źródeł tych konkretnych działań upatrywać należy w zakorzenionym w Biblii chrześcijańskim podejściu do pamięci i historii, która postrzegana głębiej oznacza dla Kościoła bardziej „teologię” niż „politykę” kultury.
XX
Refleksja nad miejscem chrześcijaństwa we współczesnym świecie jest jednym z wiodącym tematów obecnych filozoficznych debat. Skupia niczym w soczewce kluczowe dla teologii kwestie i rozwija w szczególny sposób eklezjologiczne terminy. W niniejszym artykule zostały poddane analizie teologiczno-filozoficzne wątki rozmowy ks. Józefa Sadzika SAC, założyciela Centrum Dialogu w Paryżu – instytucji zasłużonej dla polskiego życia intelektualnego na emigracji, w tym również dla teologii katolickiej – z Czesławem Miłoszem. W ten sposób zostaną przybliżone poglądy zwłaszcza ks. Józefa Sadzika i jego wizja teologii kultury, którą wyraził w swoich publikacjach, od doktoratu poświęconego estetyce Heideggera (jednej z pierwszych na świecie na ten temat) po eseje filozoficzno-teologiczne, które zamieścił w tłumaczeniach Cz. Miłosza ksiąg biblijnych, będąc ich inspiratorem.
EN
Reflection on the place of Christianity in the modern world is one of the leading topics of current philosophical debate. It focuses the key issues of theology and develops in a particular way many interesting ecclesiological topics. This article analyzes the theological-philosophical message of the dialogue between Joseph Sadzik SAC, founder of the Centre for Dialogue in Paris - an institution that had enormous importance for Polish intellectual life in exile, including Catholic theology - with Czesław Milosz, the Nobel Prizewinner. The article examines the contribution of Joseph Sadzik in the field of ‘theology of culture’, based on his publications from his doctorate on the aesthetics of Heidegger (one of the first in the world) to his philosophical and theological essays published in Miłosz’s translations of the Bible.
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