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A premature retrospective: an interview with František Daneš, September 21, 1988

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Nekvapil J., Daneš F.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
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2015
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vol. 76
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issue 4
265-296
EN
The core of this article is a substantial part of an interview conducted by J. Nekvapil with F. Daneš on September 21, 1988. The aim of the interview was to gain information for a profile of Daneš on the occasion of his 70th birthday, which was later published in Philologica Pragensia (Nekvapil 1989). Unlike other published interviews given by Daneš in later years, this one is characterized by a relatively high degree of spontaneity, thus presenting a less stylized view of the development of Czech linguistics and the Prague School, as well as of the life of Daneš himself. Prior to the interview transcript, several essential factors which constitute the interview are fiven: the participants, goal, surroundings, key, communicative medium and sequential progression. Attention is also devoted to the way in which the interview is presented in this article, including the genre-related pressures on its presentation. The epilogue adds intormation about the activities of F. Daneš after the interview, i.e. after 1988, and some intertextual and interdiscursive connections. The publication of this text stands to commemorate this significant linguist, who died on March 18, 2015.
CS
Jádrem tohoto článku je podstatná část rozhovoru, který vedl J. Nekvapil s F. Danešem 21. 9. 1988. Účelem rozhovoru bylo získat informace pro napsání medailonku o F. Danešovi u příležitosti jeho sedmdesátin. Tento medailonek byl pak publikován v časopise Philologica Pragensia (Nekvapil, 1989). Na rozdíl od jiných publikovaných rozhovorů, které poskytl F. Daneš později, se tento rozhovor vyznačuje relativně vysokou mírou spontánnosti, a představuje tedy méně stylizovaný pohled na vývoj české lingvistiky, Pražské školy i na život samotného F. Daneše, včetně jeho života každodenního. Před uvedením přepisu rozhovoru jsou v tomto článku stručně popsány některé základní faktory, které tento rozhovor konstituují: účastníci, účel, prostředí, tón, komunikační prostředky a sekvenční průběh. Pozornost je věnována i tomu, jak je rozhovor v tomto článku prezentován, a zmíněny jsou žánrové tlaky na jeho prezentaci. V epilogu jsou uvedeny životní aktivity F. Daneše, které následovaly po čase rozhovoru, tedy po r. 1988, a některé aspekty intertextové a interdiskurzní. Článek vychází jako připomenutí života a díla velkého českého lingvisty, který zemřel dne 18. 3. 2015.
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"Vícehlasí" v českých lidových písních: několik textovělingvistických sond do jejich textury

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Daneš F.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
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2012
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vol. 73
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issue 4
312-323
EN
This paper demonstrates the mutual relations between the various “voices” in Czech folk songs and the way in which these voices can be identified. The introductory section characterizes the specific features of the songs: the concision and condensation of their structure, as well as their emotionality of expression. The second section is devoted to the analysis of a selected corpus of folk songs from the perspective of heteroglossia. Their texture appears as a net of relations and functions which operate on different levels, stand in mutual complementarity, partly overlapping, and show differing relevance. Using methods of text linguistics, the author concentrates on two relations and functions – speech acts and compositional functions – as well as personal attitudes. The analysis focuses on utterances with the communicative function of appeal, i.e. on the interrogative and addressing turns which are quite frequent in Czech folk songs, on their interactive structure and modes of direct and indirect speech. The author shows that the song genre has two faces: it is a compact combination of verbal text and its musical part (the tune) which may appear to be uneven in their mutual relations. The last section deals with the phenomenon of intertextuality in the song structure.
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