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„Ближайшая станция европейской культуры…”: полонофилия 60-х годов

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Vorontsova K.
Studia Rossica Posnaniensia
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2019
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vol. 44
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issue 2
5-14
PL
The article attempts to trace the sources of “polonophilia” in the Soviet culture of the sixties and to consider the strategies of the representation of the Polish text in Russian literature after the Khrushchev Thaw on the material of Stanislav Kunyaev, Boris Dubrovin and Emil Janvarev’s poetry. The special influence on the formation of the geo-cultural image of the Polish People’s Republic in this period is discussed in the context of Polish cinema (in particular Andrzej Wajda’s film Ashes and Diamonds).
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Kulturní politika po 20. sjezdu Komunistické strany SSSR: reflexe v sovětské Ukrajině

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Mokryk R.
Slovanský přehled: historická revue pro dějiny střední, východní a jihovýchodní Evropy (Slavonic Review: Review for Central, Eastern and Southeastern European history)
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2020
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vol. 106
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issue 3
501-524
EN
The article covers the main attributes of cultural policy in Soviet Ukraine after the 20th Congress of the Communist Party of the Soviet Union in 1956. It analyses the official literary concept of the socialist realism, focusing on the internationalist principle in wider political context. The study presents the gradual formation of an alternative discourse in the Soviet culture, represented in Soviet Ukraine by works of the younger generation of so-called “Generation of the sixties”. The two discourses interlinked under the specific conditions of the Khrushchev Thaw gave birth to a curious phenomenon of a hybrid culture of National Communism. The article defines the main phases of the development of the alternative discourse of Soviet culture in Ukraine during the Thaw and the gradual development of the „Generation of the sixties“ from Soviet class identity towards a national one that later took form of anti-Soviet and anti-Imperial opposition.
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