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Problemy z Rozmyślaniem przemyskim. Formułowanie sądów ogólnych a wielowarstwowość średniowiecznego tekstu

100%
Mika T.
LingVaria : Półrocznik Wydziału Polonistyki UJ poświęcony zagadnieniom języka i językoznawstwa
|
2015
|
issue Numer Specjalny
87-104
EN
The paper analyses the largest Polish mediaeval apocrypha, Rozmyślanie przemyskie. Using this example, the author shows the difficulty of formulating general judgments about mediaeval texts with a multilayered structure. The differences between the subsequent versions of the text prove to be rather large in the case of Rozmyślanie przemyskie. For this reason, even the assignment of the monument’s language to a specific dialectal base may apply to no more than a single layer of the text and, as a result, Red Ruthenian features may be found to co-appear with Lesser Polish ones. The author proposes that Rozmyślanie przemyskie displays both the vestiges of the original structure of the text, and traits of a new structure introduced by the last copyist. It is him who gave a title to the text, divided it in two, and added a considerable part of section titles. Therefore, we need to revise our current view that the last copyist was responsible for no more than the introduction of multiple mistakes into the text, and for incorporating into it the voice that was originally located in the margins and between the lines.
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Utwór audiowizualny w orzecznictwie

51%
Cywiński J.
Themis Polska Nova
|
2016
|
issue 2(11)
248-265
EN
The article in the eight paragraphs analyzes the issue of audiovisual work, in particular focusing on movie feature, providing the court rulings, in majority the Polish ones. The first section focuses on the clarification of the concept of an audiovisual work, using the textbook knowledge, the knowledge resulting from the polish Act of 4th February 1994 On Copyright and Related Rights and contained in the judgments of Polish courts, concluding that there is no leading definition of audiovisual work in the Polish legal system. Furthermore it considers the issue of co-authorship – who and to what extent has the right to call itself the creator of the audiovisual work. In this respect, it undertakes to clarify the contribution parts which pull together up the final image of an audiovisual work. In the next two sections it analyzes the beneficent of the audiovisual piece and defines the principles governing the relationship of beneficent and the author and the issue of remuneration for the authors work. In the fifth section it introduces the concept of collective management organizations, which is an organization that mediates the process of payment of accumulated remuneration to the creator. Section Six focuses on the issues of copyright protection and potential infringement, and states the rulings of courts, which allows reader to obtain a more practical understanding of the problem. Paragraph seventh evokes a complicated Polish case (the creator of „Stawka większa niż życie” vs. the creator of „Halo Hans!”). Finally paragraph eight focuses on a few cases executed in the field of copyright law in audiovisual work area in the United States.
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