Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  the psychology of the depth
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
This paper discusses the relation between Stanislaw Przybyszewski’s writings and the artistic manifesto Confiteor. It demonstrates that the novel Devil’s Children in the context of the dissertation Devil’s Synagogue implements the manifesto. The analysis of the works reveals the Manichaean deposits of spiritual archeology in Przybyszewski’s characters as Slavs. The analysis demonstrates that only the author is aware of the destructive nature of the radically anti-world theological, cosmological, anthropological, and eschatological dualism. The characters are masks of his subconscious which is brought into daylight. The Slavic children of the Devil, similarly to Fyodor Dostoevsky’s characters, by destroying the world destroy themselves. Their manner of self-destruction is the destruction of the world. They commit suicide, they die of the illness of the soul, they murder, they set fires, and they long for the end of the world in the glowing of fire. Their fates are displayed as a cautionary tale against a regression into the dark subconscious. The lack of individualization, that is the restraint of driving urges and not including them in the structure of personality, is explained by the author of the article to be an eruption of destructiveness predicting the 20th century revolutions and crimes of totalitarianism.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.