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  1. 1 Interdisciplinary Studies in Musicology

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  1. 1 Tomaszewski M.

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  1. 1 2011

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Towards perfect completeness remembering Lutosławski

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Tomaszewski M.
Interdisciplinary Studies in Musicology
|
2011
|
issue 10
175-182
PL
The text is in its character a statement by a “witness to an era”. It is an attempt at describing Lutoslawski’s artistic path and his culture-forming activity from the perspective of an evolution within a concrete historical and political situation. This aesthetic evolution is evidenced in the composer’s utterances: significant interviews and private, confessional notes. They outline his creative path from the impact of Chopin as the emotional arche, through subsequent phases and breakthroughs: from academic aesthetics based on the Hanslick paradigm, through socialist-realist indoctrination and uncritical fascination with the avant-garde, to a gradual crystallisation of his own idiom. Eventually, this entirely own idiom, marked with a lyrical opening, consists in a return to everlasting values, expressly defined by the composer: the truth and the beauty of a work of art.
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