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EN
Among various Čep’s literary fascinations, Karel Hynek Mácha retains an important place. The Romantic writer (Mácha) and the 20th century Catholic novelist (Čep) are connected mainly by the same conception of a man in his relationship with the world and God. They share the same approach towards the passing of time, which in turn seems to be the key to being and understanding existence. The fascination dedicated to Mácha’s writing seems to conceal the vision of poets and source of creation shared by both the authors. Art and artists take on a specific role, which results from the particular spiritual predispositions of the author and from his metaphysical anxiety, which has its roots in the perception of mystery surrounding humankind and the world.
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Jubileusz? Fraszka

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EN
The author presents a lyrical miniature of Artur Daniel Liskowacki titled „Fraszka” („Trifle”) from the volume „Atlas ptaków polskich” („Atlas of Polish Birds”). On this example he shows the most important features Szczecin writer’s poetry. Above all, the article shows Liskowacki’s interest in time. However, the writer is less interested in the philosophy of time. Liskowacki introduces the issue of temporality through the description of a clock.
PL
Autor przybliża miniaturę liryczną Artura Daniela Liskowackiego Fraszka z tomu Atlas ptaków polskich. Na tym przykładzie pokazuje najważniejsze cechy poezji szczecińskiego pisarza. Przede wszystkim jednak w artykule ukazane jest zainteresowanie Liskowackiego czasem, którego mniej interesuje filozofia czasu. W problematykę temporalności Liskowacki wprowadza poprzez opis zegara.
EN
This article investigates the time loop motif in Dejan Aleksić’s novel, A Shoe at the End of the World. Following a brief overview of the most important uses of the time motif in children’s literature, and positioning this paper within Nikolajeva’s (i.e. Eliade’s) dichotomy of linear and cyclical time, we analyse the time loop motif in Aleksić’s short children’s novel. Unlike e.g. science fiction authors, Aleksić does not use the time loop as a plot point but rather as an important factor creating a sense of wonder in his text. He also uses it as a narrative starting point for a string of comical paradoxes that posit a simultaneity of past and future events, which sets the overall tone of the novel. The time loop also establishes effectively the displacement of Aleksić’s imaginary world, removing it from the linear time sequence, characteristic for adults, and yet setting it apart from the idyllic eternity of childhood, envisioned by older authors. Simultaneously, the time loop serves as a link to the metafictional characteristics of other Aleksić’s texts.
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