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Tartan Polonaise: Scottish Crime Fiction in Poland

100%
Crickmar M.
Glottodidactica
|
2014
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vol. 41
|
issue 1
89-101
EN
This paper examines the position of contemporary Scottish crime fiction in the Polish polysystem. It investigates the definition of tartan noir and the challenges the genre poses in translation.Such concerns seem especially valid in the case of Denise Mina in whose Paddy Meehan series, next to the female protagonist, one of the most important characters is the city of Glasgow with its menacing architecture and the coarse language of its inhabitants. Thus the second part of this paper analyses the Polish translations of Mina’s trilogy in order to show how the dialect and other culture-specific items have been dealt with by two Polish translators.
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Rola stereotypu w kształtowaniu polifonicznego uniwersum literackiego i kulturowego na przykładzie oryginału i polskiego przekładu "Mostu na Drinie" Ivo Andricia

67%
Czerwiński M.
Przekłady Literatur Słowiańskich
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2013
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vol. 4
|
issue 1
19-36
HR
U članku se analizira pitanje stereotipā koji se javljaju u originalnom tekstu Ive Andrića "Na Drini ćuprija" i u poljskom prijevodu Haline Kalite. Kako je svijet Andrićevog romana smješten u izuzetno hibridno, pogranično tlo, transfer smisla u okvir novog jezika, ovdje: poljskog, mora se realizirati u adaptaciji određenih kulturnih matrica i jezičnih jedinica. U istraživanju se pokušava obratiti pozornost na neprikladnost obaju imaginarija (bosanskohercegovačkog i poljskog) te na prividnu ekvivalenciju leksičkih jedinica, a također i na ulogu različitih čitateljā koji, imajući na raspolaganju vlastite kulturno determinirane predožbe/stereotipe, na drugačije načine pristupaju interpreatiji književnog djela.
EN
In this article, the question of various stereotypes present in the original and Polish translation (translated by Halina Kalita) of Ivo Andric’s novel "The Bridge on the Drina" is taken into consideration. Since the universe of Andric’s book is located in the extraordinarily complex hybrid borderland of Bosnia, the very transfer of semantic sense into the new language, here: the Polish language must be realized within the adaptation of certain cultural matrixes and linguistic items. In this research article, several questions are analyzed: the lack of similarity between the Bosnian and Polish cultural universes, the apparent equivalence of linguistic items, and the role of various readers who — bearing their own cultural imaginations/ stereotypes — interpret the book in different ways.
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